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On Last Night, Moby is as blissfully out of touch with modern club music as he is current.
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A concept album about an all-night bender, Last Night solidifies Moby's link in the chain that binds DJ pioneers like Todd Terry to slinky futurists like Justice.
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Overall this is an unpretentious and varied album of rave stompers, hands-up disco and sedate moments of beguiling ambience that combine to form probably his best and most cohesive album since "Play."
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Last Night is nonetheless an extremely warm, loving, moving album concerned with more than just vintage sounds.
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These songs aren't as transcendent as a Chemical Brothers comedown, but they'll suffice until the Chems reunite with Beth Orton.
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This is the definitive Moby album.
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An intoxicating record from a re-energised Moby, for the first time in years he isn't struggling to work out how to follow "Play" and "Last Night" is all the more convincing for it.
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For the first time since 1995's "Everything Is Wrong," the producer who cashes checks as Richard Melville Hall has made an album that, while not devoid of song craft, doesn't allow the pop elements to overpower the dance floor punch.
User score distribution:
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Positive: 19 out of 25
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Mixed: 4 out of 25
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Negative: 2 out of 25
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Apr 22, 2023
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May 13, 2012
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CaseyEApr 12, 2008