Generally favorable reviews - based on 20 Critics

Critic score distribution:
  1. Positive: 12 out of 20
  2. Negative: 1 out of 20
  1. Mojo
    Chopper blades and police sirens pepper the album; indeed, shorn of this angsty hum, the by turns pastoral and metallic instrumental tracks pale. [Apr 2004, p.106]
  2. Uncut
    Delivered via rolling, thunderous rhythms--part Can, part Black Sabbath--moody synths and mournfully melodic guitar, using the slow-build-to-explosion method. [Apr 2004, p.91]
  3. As a political album, Liberation may only be half-successful, but I'd still take angry Trans Am over the schlocky Trans Am of TA any day.
  4. While Trans Am's need to express their political views and their cliché-busting approach are both admirable, unfortunately their ways of expressing their dissent aren't all that inspired.
  5. Try as the trio might to inform its '80s pastiche with an extra degree of menace, the disc ends up sounding like the same old Trans Am: part Rush, part "Miami Vice" soundtrack and part pranksters just taking the piss.
  6. Rolling Stone
    [A] forgettable art project. [4 Mar 2004, p.66]
  7. 40
    Often translates into little more than spliced Dubya soundbites and “spooky” found sounds (helicopter blades, police sirens) played over dour, noncommittal loops.

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