• Record Label: Matador
  • Release Date: Jun 4, 2013
User Score
8.6

Universal acclaim- based on 447 Ratings

User score distribution:
  1. Negative: 33 out of 447
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  1. Dec 1, 2013
    2
    This album is so desperate for an identity by featuring a multitude of guest musicians, but it leaves a very disjointed, schizophrenic feeling that just never accomplishes anything worthwhile. Outside of "My God Is The Sun" (thanks for the first single, giving me the impression the whole album would sound that way), nothing on this brick is listenable.

    So you were hospitalized. The
    This album is so desperate for an identity by featuring a multitude of guest musicians, but it leaves a very disjointed, schizophrenic feeling that just never accomplishes anything worthwhile. Outside of "My God Is The Sun" (thanks for the first single, giving me the impression the whole album would sound that way), nothing on this brick is listenable.

    So you were hospitalized. The album is as boring as the inspiration for the tracks. The upsetting part is that if there weren't complications with his surgery, we would have had a second Them Crooked Vultures album. I feel robbed.

    Josh Homme can't steer the ship by himself. He's great guitarist but an average singer, and benefits much from his celebrity friends to flesh out songs. However, too many cooks ruined the stew here.

    One good song. Skip this terrible album.
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Metascore
82

Universal acclaim - based on 46 Critic Reviews

Critic score distribution:
  1. Positive: 41 out of 46
  2. Negative: 1 out of 46
  1. Classic Rock Magazine
    Jul 23, 2013
    90
    Their rejuvenating effects make this the most rounded and melodic QOTSA album in a decade, a triumph snatched from the mortuary doors. [Summer 2013, p.88]
  2. 90
    It’s the kind of album we critics tritely refer to as a return to form but with the massively remarkable beast that ...Like Clockwork royally is, never has the phrase been more fitting.
  3. Magnet
    Jul 17, 2013
    35
    Queens Of The Stone Age lumbers its way through a series of increasingly skronky, sludge-by-numbers jams and sound. [No. 100, p.57]