Live In New York City - Bruce Springsteen & The E Street Band
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Generally favorable reviews - based on 12 Critics What's this?

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Universal acclaim- based on 14 Ratings

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  • Summary: A double-disc live set from The Boss and the reunited E Street Band, recorded at a pair of Madison Square Garden performances at the end of their 1999-2000 tour. Includes two new tracks ("Land of Hope and Dreams" and "American Skin"), as well as favorites such as "Born to Run" and "Tenth Avenue Freeze-Out." Expand
Score distribution:
  1. Positive: 10 out of 12
  2. Negative: 0 out of 12
  1. Fans will likely find Live In New York City's porridge not too epic and not too stingy, the balance of newer material, obvious classics, and obscure trifles just right. [13 Apr 2001, p.73]
  2. This powerful set restates Springsteen's great showmanship and generosity of spirit, and the sheer force of his magnificent band. Simply one of the best live albums imaginable.
  3. 100
    Deeper Bruce fans will go ga-ga over the dearth of hits on this collection and twists like "Born in the U.S.A." getting a Nebraska-esque treatment and a great version of "Jungleland." Everyone else will simply love it.
  4. Taken on its own, Live is still the best officially released evidence of the camaraderie that makes the E Street Band so vital, as well as an essential next chapter for an artist who hasn't released a studio album in some time. But there are still ways in which, as for so many of Springsteen's performances, you had to be there.
  5. Revelations abound: Max Weinberg's demon drumming turns "My Love Will Not Let You Down," an early-Eighties leftover, into a rampaging opener; "Two Hearts" allows duet partners Springsteen and Steven Van Zandt to pay homage to the Marvin Gaye-Kim Weston Motown classic "It Takes Two"; Nils Lofgren's six-string rave-up drops a bomb on the relatively sedate studio version of "Youngstown"; and the slide-guitar voicings on a stark, howling "Born in the U.S.A." evoke both the Far East and Mississippi.
  6. 70
    Few will quarrel with Springsteen's reliance on his pre-Born in the U.S.A. output, or with the use of only one track, "Youngstown," from The Ghost of Tom Joad. But the absence of anything from the grievously underrated Tunnel of Love is a shame, as is the absence of "Further on Up the Road," a wistful and gorgeous new track played often during the Garden dates.
  7. 40
    Live In New York City may be the first example of Springsteen allowing himself to be reduced to what he has carefully avoided becoming up to now: pure product. [Jun/Jul 2001, p.112]

See all 12 Critic Reviews

Score distribution:
  1. Positive: 6 out of 7
  2. Negative: 0 out of 7