User Score
Generally favorable reviews- based on 84 Ratings
User score distribution:
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Positive: 48 out of 84
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Mixed: 12 out of 84
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Negative: 24 out of 84
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Dec 18, 2019Avoid shows by the Bug, they're awful. There's not any meaning to the many colors in this music, like any real abstraction is lost. When the Bug clicks away that is good night to Irene, and others, and it just sounds awful. When the Bug grinds what does it matter any more? The Bug's music completely lacks eloquence of any kind.
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TImAApr 17, 2009
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kilas99Oct 29, 2008Really hard on the ears. I think if the pace and tempo was quicker I could handle it, but after several listens I still hear abrasive MC's over very, very grime-y beats that never really take off. Really depends on what you're looking for from electronic/hip-hop/producer etc.
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TomP.Sep 9, 2008As I said in regards to DragonForce, that many critics just can't ball up to without sounding biased and losing their jobs. Is that a great album, in a garbage genre, is still garbage. Nuff said.
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DomB.Sep 2, 2008Totally overrated. Next!
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Awards & Rankings
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The cumulative effect--somewhere around being lifted into the heavens by sunrays--is at odds with the continuous black clouds that come before. Yet it’s a necessary chink of light to conclude a journey so oppressive you may just forget to breathe through its duration.
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Considering the host of absolutely killer tracks, London Zoo might just be Kevin Martin's finest album, which is astounding considering the man has been making music for two decades.
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London Zoo provides the perfect showcase for its colourful menagerie of MCs and singers. And the Bug's no-nonsense clank and grind production fosters a rare intensity of focus on this album's higher purpose, which is to take the eloquence of Linton Kwesi Johnson and Michael Smith's Eighties dub-poetry, and blast it into digital hyperspace.