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However, while Looks at the Bird's expanded arrangements are more conventionally "listenable" than much of Field Recordings, this comes at a small price.
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It’s all quite beautiful and inoffensive, and that in itself may be an admirable goal. But what it lacks is the experimental--or at least, improvisatory--bent of Tortoise, as well as lacking a lot of what made the last Brokeback record so great.
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The WireBrokeback's airier tendencies are always balanced against the hint of depth and punchiness behind the twin basses, and the bittersweet, reflective quality of the melodic lines. [#228, p.57]