Lose - Cymbals Eat Guitars
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Generally favorable reviews - based on 17 Critics What's this?

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Universal acclaim- based on 11 Ratings

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  • Summary: The third full-length release for the New York indie rock band led by Joseph D'Agostino was produced by John Agnello.
  • Record Label: Barsuk
  • Genre(s): Pop/Rock, Alternative/Indie Rock, Alternative Pop/Rock, Indie Rock, Experimental Rock
  • More Details and Credits »
Score distribution:
  1. Positive: 15 out of 17
  2. Negative: 0 out of 17
  1. Aug 25, 2014
    Each of the nine songs here (this album, unlike Why There Are Mountains or Lenses Alien, feels less like a suite and more like a collection of individual songs working together toward a theme) merits extensive and attentive lyrical consideration, though such an analysis deserves a treatment not feasible in a standard-length review.
  2. 85
    Cymbals Eat Guitars certainly have done right with LOSE; it’s an impeccably beaten, teary-eyed but smiling document to a frighteningly exhilarating time of one’s life and beacon to march onward--momentous to anyone in their 20s, and even us still neurotic old guys.
  3. 83
    The band may love the sounds of Built to Spill and Superchunk a little too much, but they’re also far too adventurous to settle for apery, least of all on LOSE. It’s their best work yet.
  4. Aug 20, 2014
    It all makes for a remarkable, incredibly moving piece of work. [Sep 2014, p.106]
  5. Sep 18, 2014
    This third LP corrals sophomore sprawler Lenses Alien without killing its spirit. [No. 113, p.53]
  6. Aug 25, 2014
    The band swings for the fences with the first two songs.
  7. Aug 26, 2014
    Handspringing between the rowdy folk-punk antics of "XR" and the sweetly sordid "Child Bride," it's a riveting elegy.

See all 17 Critic Reviews

Score distribution:
  1. Positive: 1 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 0 out of 1
  1. Sep 18, 2014
    This album has gone criminally unheard by the rock world. As someone who listens to 150-200 new records every year, this is one of the best I've heard in the last 2-3 years. There are subtle stylistic shifts from song to song, but they piece together incredibly well. I'm not a lyrics guy, but this is a record whose lyrics deserve a close look. Expand