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With more room to breathe, the textured synthesizers come to the fore, and it is their melodic decoration that ultimately provides the saving grace. But without the electronic textures, Love and Distance is just Bryan Adams with a hip producer and a great drummer.
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The tempos drag, the lyrics are nothing special, the electronics nothing much to care about. Instead of sounding like the teenage spawn of My Bloody Valentine and Mouse on Mars, now they sound like Radiohead's very earnest cousin.
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Love and Distance is fucking cheesy.
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An unpleasant change is clear in the first instant; Summers voice is pushed to the front of the mix, and the over-the-top choruses and limpid lyricism that comes through is enough to make you blush.
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MojoRepeated plays reveal a frustrating lack of memorable songs. [Nov 2004, p.102]
User score distribution:
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Positive: 3 out of 4
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Mixed: 1 out of 4
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Negative: 0 out of 4
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Jun 12, 2011
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scottJul 22, 2005