Love And Its Opposite Image

Generally favorable reviews - based on 17 Critics What's this?

User Score

Universal acclaim- based on 4 Ratings

Your Score
0 out of 10
Rate this:
  • 10
  • 9
  • 8
  • 7
  • 6
  • 5
  • 4
  • 3
  • 2
  • 1
  • 0
  • 0
  • Summary: The Everything But The Girl singer's third solo album was produced by Ewan Pearson.
Score distribution:
  1. Positive: 14 out of 17
  2. Negative: 0 out of 17
  1. Everything but the Girl fans might miss the duo's dancey leanings, but Thorn proves that her voice is enough to transcend genre preferences.
  2. It feels utterly natural, a continuation of the emotional navigations she's spent her career documenting with characteristic insight and sensitivity.
  3. In Ewan Pearson’s thoughtfully modest production, the songs are played by small groups, usually just three or four musicians recorded cleanly, as unglossy and intimate as Ms. Thorn’s songs.
  4. 80
    What with that album title, a wistful opening waltz, entitled Oh, The Divorces! and a beautifully resigned lament called Singles Bar ("Can you tell how long I've been here? Can you smell the fear?", the theme of mid-life crises hangs heavy over these 10 simply arranged vignettes. [June 2010, p. 92]
  5. Even when the tempo goes up (on a song called “Hormones,” naturally), Love is cocktail-hour ready, but that helps Thorn’s realism go down like a highball.
  6. ‘Long White Dress’ and ‘Singles Bar’, subject matter made clear from the off, are highlights; the former is mellow and wistful, with a delightfully lilting chorus, while the latter radiates the fatigued disenchantment of somebody lacking motivation in the unfulfilled pursuit of love.
  7. Taken individually, each of Love and Its Opposite’s songs is impressive and affecting. Strung together as an album, though, their sulky nature becomes oppressive.

See all 17 Critic Reviews

Score distribution:
  1. Positive: 0 out of
  2. Mixed: 0 out of
  3. Negative: 0 out of