A great album in its own right. Just don't compare it to songs for the deaf.

Sounds nearly exactly what you would imagine this band would sound like without Nick Oliveri - not so much edge or fun metal antics - but instead it's been smoothed out into groove heavy tunes and a couple of extended, trippy, jams. Songs flow from one to the next amazingly. Instrument styles vary so much (except for the constant excellent use of the lapsteel) that it sounds like they're all switching back and forth between instruments, and as the cd insert indicates, it turns out that they are. This works to their advantage as their sound never gets boring. Highlights for me were "Burn the Witch" (great riff by Billy Gibbons), "Everybody Knows that You're Insane", and "You Got a Killer Scene...". "Someone's in the Wolf" seemed drawn out to me on first listen but has gotten better with each listen., and is now one of my favorite tracks on the cd. This album is a step in a different direction than "Songs...", but still has the same dark/light mood mix that makes this one of my favorite bands, and this album may have pushed them to the top of my list.… Expand

You've got to hand it to QOTSA, despite being round for years, they've still not turned into commercial crap like most bands do these days. Like Songs for the Deaf, it has songs that grab you straight away (e.g. Tangled Up in Plaid, Medication) and theres other tracks that are left to grow on you, which is the true greatness of QOTSA. On the downside, some tunes to tend to be a bit to repetitive and just make you wish they'd wack on the distortion again!! but thats just my opinion… Expand

Good album. QOTSA always surprise us with different albums that are as interesting as previous material. Some people want the same things all the time from a band, and it's sad they don't understand the process.

Lacks the creativity of Songs For The Deaf, as the guitar work is a repetitive.

I'm a big fan and for 2 years I've been trying to get into this album. Sadly, it's never gonna 'click'. It's a struggle. There are some real great tracks, but too much of it is nowhere near what'[s expected of Homme & Co. A really tough record to get into and the good songs against the bad don't make listening very rewarding.

Good

Some gut-ripping songs that hit all the highs of previous QOTSA albums. Homme is not necessarily better off without Oliveri, but he doesn't seem to be missing much without him. High point include the already certified "Little Sister," the hard-riffing "The Blood is Love," and the bluesy grind of "Burn the Witch." If you like "Songs for the Deaf" you will not be disappointed by "Lullabies to Paralyze."… Expand

The album sounds more like Rated R than Songs for the Deaf, which probably has more to do with the absence of Dave Grohl than with the absence of Olivieri. This new album offers only a few things that you haven't heard before when it comes to style and sound, and yet, it's a very creative album. By the time LIttle Sister gives you that special feeling you only get when you instantly realize that a song is fantastic, the album has already sucked you in. Burn the Witch, In My Head, I Never Came and Someone's In The Wolf are other highlights. The middle part of the album seems to be the strongest, which is a bit of a pity. I like my albums having a strong final part.… Expand

The engineering/production is HORRIBLE. The songs are BRILLIANT. This could have been a classic album, but the engineers/mixers/masterers screwed it up. This is the real issue here. The songs, themselves, are much better than the songs on Songs for the Deaf.

I am a Queens fan since the beginning and Homme's talents never cease to amaze me. I thought Songs for the Deaf couldn't be topped but I am now thinking twice. I wonder if Homme thought the same when he included a DVD of the making of the album with the release.

By far the greatest rock band around. This album is very much like Rated R but shows more grown in terms of song writing and Homme's ability to write the perfect hook. The line up is the tightest its ever been. Just saw them in New York; a pure ass kicking. I have to say that their self titled album is my favorite album of all time but this Homme creation is more than excellent. Those disappointed are those same people waiting anxiously for the next Fred Durst album. On an ending note, "You Got a Killer Scene, Man..." is the best song to have sex to.… Expand

I thought this album was realy well done. I was expecting it to be weak because of Nick Oliveri's absence, but low and behold QOTSA never fail to deliver. A song I really liked on the album was "in my head", did anyone else find the guitar riffs on that song amazingly catchy?

I have been into these guys since kyuss way back before they were popular have all the sessions this album rocks but it does miss the nick ingredient apart from that a cool stoner album have to say one thing kyuss sound more accomplished and more experimental just listen to sky valley wow heavy man.

Brilliant,moody,great record.. Should have been 3 songs shorter for consistancy and as a WHOLE body of work. Great wriring !!!!

A better follow up to "Songs for the Deaf" but doens't reach the quality of "Rated R".

Brilliant, hard rocking, ultimate awesomeness! And who doesn't want more cowbell? Lullabies is a masterpiece, almost surpassing Songs. Sheer and obscene awesomeness.

best ever

A great, haunting album that isn't for everyone but if you are into the style you will love it.

when i first got this album, to tell the truth, i was alittle upset, becasue it hought this was songs for the deaf, but after listening to it, i must say, i think this is their best album

Sexy as hell....

My first exposure to QOTSA was Songs for the Deaf a couple of years ago. Raised on a diet of 1970s rock, the sound was a revelation; a magnificent blend of hard rock, musicianship and (dare I say it), melody. I have still never heard a tighter outfit than that version of QOTSA. This time round, something other than the former band members seems to be missing. Some great songs, but many tend to drift away without focus or direction. Disappointing by their standards, but still a great piece of rock.… Expand

If i had rated this album after my first listen, i would have given it a solid 4 or maybe a 5. But after i listened to the album over again, the songs began to grow on me. The critics as well as the fans are making too much of the absense of Grohl and Oliveri. A "revolving door" of musicians has always been what made QOTSA so fucking good. This time around they have a new mix of guys, and once again, a bit of a new sound. But overall, every track hits just as hard as anything else QOTSA have ever done, and helps them to prove that they are the greatest fucking rock band in the world right now!… Expand

After two of the greatest albums EVER and one pretty good one in Songs..., Queens just give us an album thats barely a joke. Some moments would sound great from other bands - I Never Came and Little Sister are good, but very standard in their apporach. I find this album a little insulting really.

An excellent album, Very mystical. The album just flows perfectly and gives you music-orgasm sometimes. Great riffs and choruses. Not better then Songs for the deaf but very, very close.

very great cd. Ive been listening to queens of the stone age for about 3 years now and this is my sexcond fav album.(Behind the famous songs for the deaf). Great if your a rock fan get it even if your not get it.

Partial to QOTSA's self-titled debut myself, I looked forward to a Queens record with Homme-heavy vocals. Although I do miss Oliveri's patented howl and (will miss) his stage presence, I'm digging Lullabies immensely. Standouts are "Everyone Knows You're Insane," "Tangled Up in Plaid," "In My Head (recycled from the last Dessert Sessions disc)" and "Broken Box." In my opinion, it's the perfect brew of the previous three albums and I could be crazy, but the bass sounds better than ever to me. Another success for one of the last bastions of quality rock.… Expand

Not as excellent as 'Songs for the Deaf' (which on a scale of 1-10 was a 12) but still rocks harder than anything else you're gonna hear on the radio without a rap beat or emo screaming

Darkly romantic, yet catchy. Homme is the new voice for a generation of young rock fans who need something better than the recent waves of retro bands. Each QOTSA is progressively becoming a little bit more innovative. No giant leaps, but that's what we need. If we expect too much change from one album to the next, the next big step may be a step down. It's all about baby steps. LTP leaves off where Songs for the Deaf ended. But like SFTD, LTP has a great variation in songs. From the fast "Medication" to the sweet n' subtle "I Never Came", from the eerie "Someone's in the Wolf" to the simply-catchy "Long slow Goodbye". this is definitely an album you press play and let the hour roll by.… Expand

at times it's softer than previous efforts but still an excellent album.

not as good as songs for the dea,f but still has its own brilliant style and is still way ahead of everything else

Maybe not quite as good as Songs for the Deaf, but a strong album all the same. Maybe it's because they opened their show with "Someone's in the Wolf", but I really love that song despite multiple reviews dismissing it as "limp." With a few more listens, I might put this album equal with Rated R and Songs for the Deaf.

I think there are informational inaccuracies in every fucking review posted here. Amazing. As for the album, a few great tunes, some good ones, and a lot of repetition.

Another Josh road trip, with lost love, sadness and tones of lullabies which will paralyze every nerve ending.

I was disappointed at first. Then I grew to love this disk. Great tunes, great lyrics...and it's pretty faithfull to the rest of the their other albums. If you're a QOTSA fan, and have been waiting to get this disk...stop waiting and buy it!

Pretty good stuff not much to complain about other than the repatition in some parts of the album. It's great to see a rock band stick to its roots. Unlike Greenday!

It kills and you know it. Like Josh says "We could come off sounding like Slayer, and people would still be saying 'their edge is gone'. Bull! This chugs in all the right places while ending up even more eclectic and strange than the similar Rated R. As fun, innovative and loud as any rock out there.

Anyone who didn't think this worth the cash, need only listen to "Burn The Witch" a few times on a friends CD, cuz you know your friends got it. The layered guitar riffs, melodic vocals, blending Homme, Billy Gibbons, and Lanegan in a alto, soprano, whiskey-drinking smoker trio that bring life to words that are so simple. Go ahead. Prove me wrong. I dare you.

This is probably on a par with songs for the deaf. There maybe aren't as many good tunes, but it is more adventurous in many ways. The sense of humour is still there, it's just burried a little deeper than previously.

This is another fine effort from the queens, with this album being far darker than some their earlier albums. The album obviously lacks the explosiveness that Nick Oliveri brought to the group, but with tracks as amazing as 'Someone's In The Wolf', who actually cares? Brilliant.

It took me about 7 listenings to start to enjoy this album. I loved Songs for the Deaf. This album while not as good, is still way above the average album released these days. QOTSA is one of those special bands that sound completely different than any other band.

A bit disapointing compared to Songs for the Deaf but still an interresting album. It's less energetic, more hypnotizing. Their metal aspect has almost disappeared but has not really been replaced by anything new unfortunately.

Fantastic.

Excellent shakes you outta your bones with every listen bistling with energy my only quandry is the first eight songs are great (Burn the Witch and In my Head especially) but the rest is not that memorable.

This album is quite different. Whereas QOTSA had groovy rocksongs all along, its as they (Josh Homme) decided to make more "rythmical" music. So this is a sometimes very basic and repetitive album. It contains some good songs but it took me a while to get "in" the album. And i started listening to it again to make my final opinion and there are just some songs that aren't quite good enough and the other songs, some pretty decent, just don't stick in the head despite how much i listen to it. I sometimes catch myself thinking about pushing the NEXT button to skip some songs. I still do give it a 7 because, like i mentioned earlier, it does contain some pretty good songs but all in all, i expected better.… Expand

this is one of the greatest albums of my time if you are in any doubt buy it put it in the cd player of your car head out to the country with a pack of marlboros and a few friends and go for it. thats what this album is all about

These lullabies indeed paralyze with pure brilliance.

Go read about how awesome "Songs for the Deaf" is. Now, imagine all that extreme coolness that everyone regards "Songs.." with, but then imagine somthing even COOLER. That something cooler is "Lullabies to Paralyze," child, and it's gonna eat you alive. And you'll probably like it. I know I do.

Good stuff.

If you're a Queens fan, this album is amazing. Forget all this crap about mediocrity, this is the Queens at their best.

Agreed, Keyton E... Queens at their best. Start to finish a very solid album.

Well, I've been a fan of qotsa for a while now and though I'd say Rated R was better, this is a solid album. Josh uses his low tonned falsetto voice quite effective in most tracks, giving him an odd "creep factor". If the devil could sing it wouldnt sound like Danzig it'd sound like QOTSA, falsely poetic, suggestive and sick overtones. While the track "Little Sister" isnt the high point of the album, it is also a solid single. Hopefully the next single will be "burn the witch" or "you've gotta killer scene there man". More melody than their last album but not creative as "R". Good to see Josh going back to their more early style of music. I'ts a must buy for the few of us who are tired of silly pop, r&b, rap and emo rock, this is for honest rock fans.… Expand

i'm so sick of hearing people bitch about the absense of oliveri..even more so about grohl (absolutely no disrespect meant to either musicians..especially the mighty grohl). yes oliveri letting loose and screaming like a demon on previous records made for some serious ass-kickery but i didnt listen to this album missing that. Josh Homme is an immensily creative individual who makes music that is far more unique and so so much better then most of the crap bein produced. LTP might not be as balls to the wall as previous albums but it seriously rocks without a doubt and has some gorgeous melody to boot. If u love the queens, you'll love this CD… Expand

There is alot of great stuff going on in "Lullabies." It is vastly different than "Songs for the Deaf." (not nearly as hard, AKA, no Dave Grohl) "Lullabies" is more of a mystical, multi-layered album. It took me a couple of listens to get into, but I'm already liking it better than anything they have ever done. Give it a chance, and you'll be pleasantly surprised.

LOVE IT!!!!

Brilliant. Josh Homme is a real genius.The best album of 2005.

classic album 8.9,this is a wonderful albums the lyrics are spot on.a blues experimental type from qotsa. good for when your sick of something.i recommend this album ..a true journey

A really good album, but with the departure of Nick Oliveri, the album is missing it's edge.