- Summary: The long-awaited follow-up to My Bloody Valentine's 1991 classic shoegaze album Loveless was made available on its website.
- Record Label: Self-released
- Genre(s): Pop/Rock, Alternative/Indie Rock, Alternative Pop/Rock, Indie Pop, Dream Pop, Noise Pop, Shoegaze
- More Details and Credits »
Feb 6, 2013You get lost in it, and if you're wired a certain way that mixture of desire and confusion is easy to map on to the wider world. For 22 years, the only way to get there was through Loveless and its associated EPs; now there's another path, one many of us never expected to find.
UncutMar 1, 2013Overall, then, mbv is more of a time capsule than a box of surprises, but the contents have survived in immaculate condition. [Apr 2013, p.64]
Feb 11, 2013The album’s major problem, more than anything, is that such a flabbergastingly brilliant end stretch hints at a better record that might have been, a furiously abrasive set of drum’n’gaze (sorry) that would have completely blindsided all of us, rather than the enjoyable grab bag of dreamy old and in yer face new that we in fact get.
Feb 8, 2013devastatingly good, and nearly miraculous given the fact that this album had 22 years of hype behind it. i agree with some reviewer who saiddevastatingly good, and nearly miraculous given the fact that this album had 22 years of hype behind it. i agree with some reviewer who said it's a third part opera old school mbv, new material, antidote i would actually simplify it guitars, synthesizers, percussion. the music is dynamic, some songs are forceful and ferocious, others are smooth, gentle, romantic, they all intertwine, they build on one another. it's a welcome resurgence of the beauty of the electric guitar, and a clear pointer towards new directions the band hopefully continues to follow. ace.… Collapse
Mar 1, 2013Ever since having gotten away from alternative christian rock, the genre I was forced to stick with for most of my young life, the firstEver since having gotten away from alternative christian rock, the genre I was forced to stick with for most of my young life, the first sub-genre I latched onto was shoegaze. Something about the languid pace, and juxtaposition of towering guitar feedback walls with sweetly sighing vocals brought me peace where christian music made me want for unreachable goals. That being said, I was one of the many who saw Loveless as a trippy masterpiece, and one of the many who believed MBV would never release a sequel for fear of not living up to their prior heights.
My wait for mbv was more like 10 years since I found the group at 14. Still a long time to fruitlessly hope for a follow-up, but I digress. In short, this album is amazing for its bravery. It sounds less like a sequel to Loveless, more like an older sister. The sweetness is sweeter, the harshness is harsher, yet it all remains shrouded in a coat of mystery like always. This is one of the rare bands it's hard to discern the psychology behind, making the music all the more fascinating.
Just like Loveless, this won't be for everyone's taste. Most non-indie followers won't get it, and most indie kids won't appreciate the lack of pretentiousness or irony, instead preferring Thom Yorke's latest bland variation on The Eraser. But if you want the world to slow down, to surround you in shadow while you're led by comforting vocals that might or might not be ghostly, immerse yourself in mbv and let the fear melt away.… Expand
Nov 12, 2013I love this so much that it's flaws only become strengths in my mind. Ending with Wonder 2 which sounds like being stuck spinning around a jetI love this so much that it's flaws only become strengths in my mind. Ending with Wonder 2 which sounds like being stuck spinning around a jet engine and evokes images of a rocket racing away to escape a violent inferno-related rapid destruction of planet earth while the sun expands at an unprecedented rate only to result in becoming ablaze anyway is a stroke of genius, it somehow makes everything that preceded it make more sense. It's just phenomenal, 21 years of waiting paid off and now we can reap the rewards, Kevin Shields may be a bit of a nutter, but let's now embrace that.… Expand
Feb 8, 2013Holy moley! A new MBV album. How long has it been? Well that crappy Kevin Costner-in-tights movie had just come out, and Paula Abdul still hadHoly moley! A new MBV album. How long has it been? Well that crappy Kevin Costner-in-tights movie had just come out, and Paula Abdul still had songs on the radio…that long. So is it any good? Yes. Does it have swirling guitars and new sounds to blow your mind? Yep. (More jet engine!) Is it better than Loveless? Nope. But it’s an adequate follow up (which is a monumental compliment) and an interesting, totally worthy record in its own right. For those not familiar with this band…it might be a tough introduction. There are no singles here. Just heavy guitars, drowned out vocals, and complex melodies that sometimes require a few spins. Listen to it with headphones. Listen to it loud. Enjoy! Thanks for not disappointing Kevin Shields. A-…or 9/10. Cheers! –CCC… Expand
Apr 16, 2013Beautiful! what can you say...
I wasnt even born when they start, but im so glad they're back
its not so intense and deep as loveless but iBeautiful! what can you say...
I wasnt even born when they start, but im so glad they're back
its not so intense and deep as loveless but i think they scored very good with this one!… Expand
Feb 10, 2013Definitely not a bad album on the whole, although I think sentimentality may be partially behind the perfect scores it's receiving. As theDefinitely not a bad album on the whole, although I think sentimentality may be partially behind the perfect scores it's receiving. As the eponymous, tripartite title suggests, this album is not really a cohesive work, but more of a collection of tracks from their long years of silence. As such, it's quite inconsistent. There's some really classic content here, and for that reason you should give it a listen; but there's also a fair amount of less worthy stuff.
Loveless and its associated EPs were incredible achievements; the melodies were perfect and otherworldly, and yet the band intentionally obfuscated them behind layers of wonderfully creative noise.
And there are indeed some glimmers of that magic here, especially in the first three songs, which also seem like they're the earliest content from the two-decade recording period, most resembling the band's previous work. "Only Tomorrow" in particular is the clear highlight of the album, with a swooning, feminine melody, alongside a pained, jagged guitar, swooping vocals, and finishing with a strange, sluggish solo.
But after that, as we enter the more recent and unconventional side of the album, I find that things progressively lose their lustre. The melodies, surprisingly for this band, become quite forgettable and rambling; the harmonies and rhythms, bland. This reaches its nadir in the closer "Wonder 2", for which I really don't have much praise. The noise is still there, but now, instead of hiding brilliance, it almost feels like it's there to hide a lack of musical substance... and without the underlying crystalline beauty, the chaos becomes rather empty and uninteresting.
However, the disappointment here is easily countered by how great it is to see My Bloody Valentine finally out of their rut. They've shown that they still have their ability to match their younger selves, and I eagerly await the planned EP of brand new content.… Expand
Feb 26, 2013I wish Talk Talk had come out of retirement instead. M B V sounds like Loveless with all the substance removed. I would review it in detail,I wish Talk Talk had come out of retirement instead. M B V sounds like Loveless with all the substance removed. I would review it in detail, but despite having listened five times I still couldn't say what it sounded like.… Expand
Awards & Rankings
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|A Sailor's Guide to Earth - Sturgill Simpson|
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