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There's no way around the fact that most of Machine Dreams is icy electro-pop, but it is not as if the truly singular Yukimi Nagano, an enamoring vocalist, has switched to drone mode, forsaking her grounding in R&B.
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Overall, Machine Dreams is bristling with invention and teeming with variety, a fantasy world you won't wish to quickly wake from.
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MojoHer jazzy instincts and surreal lyrics perfectly offset the music's mosaic minimalism. [Sep 2009, p.92]
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The album falters slightly when the music becomes more abstract and inscrutable, but on the whole it is not difficult to relate to Nagano or slip into the mood created by her bandmates.
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This is electronic pop music done right, free from hipster trimmings or overly vulnerable declarations of self-discovery, and a sure sign that Little Dragon have all the strength and memorability of a lucid dream.
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Machine Dreams is an exercise in scoping out the frontiers of avant-garde electronic pop not seen since the early ‘80s.
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With nods to synth pop, electro, and funk, Sweden's Little Dragon fill their second album with bleeping keyboards and jazzy arpeggios, recalling both Howard Jones and Saint Etienne. But what sets Machine Dreams apart is frontwoman Yukimi Nagano's alternately yelping and cooing voice.
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Of course, there are neat textures and chilled-out sounds. But by the end of the record, you have only a few tunes or hooks to serve as a souvenir of the 44-minute journey you've just taken.
User score distribution:
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Positive: 18 out of 22
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Mixed: 3 out of 22
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Negative: 1 out of 22
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May 25, 2021