- Summary: The rapper's 12th studio album (released five days early to Samsung mobile device owners via an app) features Rick Ross, Justin Timberlake, Beyonce Knowles, and Frank Ocean, with production from Timbaland, Jerome "J-Roc" Harmon, and others.
- Record Label: Roc-A-Fella
- Genre(s): Rap
- More Details and Credits »
Jul 7, 2013It's inevitable that the usual litany of labels and put-downs dominates Jay-Z's concerns; Shawn Carter's wraps-to-riches story is the meta-narrative to all his albums and only fades a little in the umpteenth retelling. ... [But] it's the varied production – the sinuous work of Timbaland, in the main--that really elevates Magna Carta Holy Grail beyond the usual Jay-Z document.
Jul 12, 2013This album really got panned and I think it's undeserved. The production is stellar and the songs themselves are well put together. The album is well sequenced and I enjoy listening to it. I guess a lot of people are griping about the lyrics and delivery and I'll admit those are the weaker points of the album but they aren't awful and IMO they don't drag the record down too much. I was expecting better given all the hype but it's still a solid effort.… Expand
Jul 10, 2013For anybody else this might be a great album, but let's face it, the bar is raised for Jay-Z, a man who has put out some of the greatest hip hop albums of all time. Unfortunately Magna Carta doesn't live up to the highs of Jay-Z's career. Magna Carta is frankly too long. Jay has little new or interesting to say. There's only so many times I need to hear him rap about being married to Beyonce or his new side gig representing Robinson Cano. Halfway through the album it just becomes a boring slog. Maybe we'll get lucky and Dangermouse can mix it with Sgt. Peppers or something. Otherwise this is a bore and not worth paying for.… Expand
Nov 20, 2013Seeing as Jay Z is one of the supposed legends in rap, then I expect him to come up with something a little better than this. All it seems he has done here is have a mid-life crisis and come up with a rash, half-hearted attempt to remain a rap superstar, and keep his name on the map.
Well, in my opinion, I think that Jay should concentrate more now on being a father rather than being a rapper, as, unlike Nas' latest release (which was innovative, creative, and above all GOOD), MCHG is full of trap-style, 'modern' club beats, with Jay spitting bars that do nothing but drone on and make him sound like someone who has gained perhaps a little too much fame.
Some of the tracks are bearable, notable ones being 'Holy Grail' and 'Part 2 (On the Run)'. However, the credit for this should go to the featuring artists (Justin Timberlake and Beyonce) who add a little melody and style to what can only be called a..well..boring album.
All in all, if Jay Z really does want to stay in the game, then he really needs to go back to his old self and take a leaf out of Nas' book who is still releasing incredible music 19 years after his debut. He needs to make something blueprint-esque, and modernise it, rather than this obvious pull for mainstream success and attention that'll only alienate long term fans that waited painfully for a new release from their favourite rapper, only for him to slap them in the face and practically insult them after years of loyalty.
I am very disappointed.… Expand
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