• Record Label: Geffen
  • Release Date: Aug 30, 2010
User Score
8.3

Universal acclaim- based on 19 Ratings

User score distribution:
  1. Positive: 18 out of 19
  2. Mixed: 0 out of 19
  3. Negative: 1 out of 19
Buy Now
Buy on

Review this album

  1. Your Score
    0 out of 10
    Rate this:
    • 10
    • 9
    • 8
    • 7
    • 6
    • 5
    • 4
    • 3
    • 2
    • 1
    • 0
    • 0
  1. Submit
  2. Check Spelling
  1. Jan 12, 2013
    10
    An original, experimental debut album from Everything Everything rivals the likes of Coldplay and Radiohead in terms of quality and structure. It tries something completely different every 16 bars and yet isn't exhausting to listen too. A very solid album from start to finish.
  2. Oct 12, 2011
    9
    At times it sounds like a combination of Radiohead, The Police, the Futureheads, and Coldplay. I think that's a good thing, personally. I don't really care for the first 3 songs on the album, which feel throwaway (esp. "My Kz, Ur Bf"), but after that, it picks up and gets really sonically interesting. Clearly not for everyone. If you don't like playfulness and experimentation, it may wellAt times it sounds like a combination of Radiohead, The Police, the Futureheads, and Coldplay. I think that's a good thing, personally. I don't really care for the first 3 songs on the album, which feel throwaway (esp. "My Kz, Ur Bf"), but after that, it picks up and gets really sonically interesting. Clearly not for everyone. If you don't like playfulness and experimentation, it may well turn you off. Collapse
  3. Aug 8, 2017
    7
    It is definetely flawed, a bit lazy at some points, a bit too "art-poppy" at other points, but it shows just so much potential and enthusiasm that you start to enjoy it without even noticing, humming "Photoshop Handsome" on your way home.
Metascore
72

Generally favorable reviews - based on 8 Critic Reviews

Critic score distribution:
  1. Positive: 6 out of 8
  2. Negative: 1 out of 8
  1. EE are wilfully eccentric, and endlessly entertaining, but they know more than most how to craft a song, how to make an album.
  2. This band has a ways to go: they can write more substantial, affecting music than this, their songcraft can indubitably be tightened up. But I think maybe it's Man Alive's sheer confidence that makes me feel alright about saying that: this is a band going places.
  3. It's comparable to Late Of The Pier's debut Fantasy Black Channel; a lot on show but with hints of greater achievement. But Man Alive is a step up from that. It could well be their masterpiece; their scatterbrained work of art.