- Summary: After a three year hiatus, the rock band formed by four brothers return with its sixth full-length studio release produced by Angelo Petraglia.
- Record Label: RCA
- Genre(s): Pop/Rock, Alternative/Indie Rock, Alternative Pop/Rock, Indie Rock
- More Details and Credits »
|Bite your tongue Don't make a scene dear Everybody's been here At least once before But we've been here more Your heart breaks Rolls down the...||See the rest of the song lyrics|
UncutSep 18, 2013Kings of Leon zeroed in on their gifts for visceral rock grooves and soaring hooks--lifting standout tracks on their sixth album to a Springsteen-like level of gritty grandeur. [Oct 2013, p.70]
Q MagazineJan 27, 2014Occasionally frustrating and sometimes even a little soapy, Mechanical Bull has its flaws, but it also brims with personality and passion. [Oct 2013, p.104]
Sep 26, 2013Kings of Leon has done it again. Mechanical Bull is easily one of their finest albums. Standout tracks are Wait For Me, Temple, Family Tree,Kings of Leon has done it again. Mechanical Bull is easily one of their finest albums. Standout tracks are Wait For Me, Temple, Family Tree, Comeback Story, Coming Back Again and Work On Me. There is an energy here that wasn't present in the somewhat mellow "Come Around Sundown". The boys have never sounded better or looked better live as they do in 2013. They don't have a single bad album. This is a special band, one we will look back at as one of the, if not the best rock groups of our generation.… Expand
Oct 23, 2013However the band makes up for that with their melodic chords, energetic drumming, groovy bass lines and tireless energy I mean vigorous,However the band makes up for that with their melodic chords, energetic drumming, groovy bass lines and tireless energy I mean vigorous, dynamic energy) that really keeps the album going throughout its forty two minutes. In addition, stylistically the album is a bit predictable but in all honesty, its too fun to even care.
Kings of Leon really outdo themselves here, it's strong, cohesive, focused and mature but still shines with passionate youth and energy. If there's any album to listen to to get hyped, it's this one. Once I get my hands on this album physically, the volume is going up to 11. That I guarantee you.
Follow @PRTYNTGRVS for more music reviews… Expand
Oct 20, 2013It’s amazing how fickle the American Rock & Roll fan base (or mob) can be. One minute they love you, the next they loathe you- if you even getIt’s amazing how fickle the American Rock & Roll fan base (or mob) can be. One minute they love you, the next they loathe you- if you even get big enough to make it to the hatred. But for the Kings of Leon they not only had the backlash from their hardcore fans churning against them due to their new-found popularity but there was also internal combustion of nearly catastrophic proportions.
Singer/guitarist Caleb Followill was caught on the widening fault line between himself and the rest of the band that really began during the making of their fifth record Come Around Sundown which he revealed, “I pretty much checked out for that record.” Lead guitarist Matthew Followill added, “Making Come Around Sundown was just not fun. We were in a tiny studio in New York, there was too much alcohol around all day.” Everything came to a head when they almost completely imploded at a show in Dallas in 2011 when Caleb was unable to finish the show ending it prematurely and subsequently leading to the band having to cancel the last 26 dates of that tour. The other three members were irate over the situation causing a volatile rift with both parties lashing out at each other. Everyone needed to take a break and limp back to their caves to lick their wounds, take time to heal. The long road back to glory took two years, leading to Mechanical Bull.
Don’t let the less than stellar album title and campy neon artwork throw you for a loop- Mechanical Bull is the real deal. Lead single “Supersoaker” opens with jangling guitars ushering in a palpitating backbeat and buoyant keys. It's a clarion call of sorts that the Kings of Leon have reconnected to an extent with their rough-and-tumble roots and it’s as carefree as they’ve sounded in years. “Rock City” saunters into the city limits out of the desert after a drug-abetted excursion, bourbon-sipping with southern-fried licks as Caleb confidently and androgynously states, “I can shake it like a woman,” suggesting more late night gender-bending mischief the likes of “Trani.” “Don’t Matter” is the filthiest track they’ve perhaps ever released, certainly it has the sand to stand with anything from Youth & Young Manhood or Aha Shake Heartbreak. Clocking in at only 2:50 it’s a ferocious stampede with Nathan Followill’s most thunderous, pummeling drums yet accompanied by gnashing, serrated guitars. A definite Queens Of The Stone Age influence prevails as pistons fire and the moonshine is guzzled on a charge across the sweltering landscape. Caleb proclaims with throbbing angst, “I can or I can fight, it don’t matter to me.” “Beautiful War” is the first foray into the grandeur of ballads the likes of which permeated Only By The Night and Come Around Sundown. Gorgeous and shimmering, reminiscent of Joshua Tree/Rattle & Hum era U2, a majestic crescendo builds into a magnificent meteor shower, a pining for connection on a vast frontier. They prove that they can craft a stop-the-clocks ballad as well as anybody and this might be their finest yet. “Temple” is an impassioned high tension wire of devotion while “Wait For Me” nocturnally simmers and glistens in the twilight. “Family Tree” settles down deep in a ‘70s groove, the funkiest conjured number here, as if they’ve been combing through a pile of old Stax Records LPs. “Comeback Story” is another phenomenal ballad with gentle rolling guitars similar to “Knocked Up” setting the pace. Seemingly autobiographical of the band, as if the title wasn’t enough, Caleb laments, “The bright of lights they are burning me out.” It’s certainly a testament to the exhaustion from the main spotlight and big stages before their hiatus as a genuflecting outro surges with strings for the mighty swell, nothing seems to be done on a small scale. “Tonight” blazes the night skyline with echoing staccato guitars and Caleb howling, “Tonight somebody’s lover is gonna pay for his sin.” “Coming Back Again” has the revving getaway engine of "California Waiting" with an eruption once more of caterwauling guitars in the chorus. The closer “On The Chin” is the most country-tinged song in the band’s canon with a heartbreaking Nashville twang as waves of pedal steel wash over the arena-ready tear-jerker. Caleb has said he has a great admiration for old-guard country artists such as Townes Van Zandt and this is no doubt his shot at their forlorn tales, channeling those outlaw ghosts with lines like, “Parked my bag of bones back of the station/ He said make yourself at home so I started day drinking.” Caleb shows he has the ability to write superb dusty storytelling songs and with its slow mirror ball spin this marks their fourth straight record closing with a “last call” of stunning beauty.
Kings of Leon make a statement with Mechanical Bull that they were out to make a record on their own time and their own terms, devoid of attempting to make mega hits or please anyone but themselves. Not for the casual fans who probably only listen to “Sex on Fire” and “Use Somebody” nor for the apparent diehards who have been crying “Sell outs” since Only By The Night. And really, that’s the approach they should take when making records going forward. They’re still an immensely talented band and the muse will find them no matter how they’re perceived to the masses. Mechanical Bull is the most evenly balanced record they’ve released blending rockers with their matured ballads. Fans of the earlier material have a real tough time coping with the fact that the Kings of Leon were destined to be headliners around the world, they can’t fit in their back pockets and they aren’t just their band anymore. Whatever discord there was in the band the past couple of years has seemingly now floated under the bridge and they can now concentrate on getting back to the throne to reign as rock royalty for decades to come.… Expand
Sep 30, 2013To be honest, our expectations were really high. Their two latest albums Only By The Night and Come Around Sundown were great. When firstTo be honest, our expectations were really high. Their two latest albums Only By The Night and Come Around Sundown were great. When first single Supersoaker was released, we weren’t convinced Mechanical Bull was going to match them. But again, Kings Of Leon managed to produce some excellent songs, such as Wait For Me, Tonight and Family Tree.
Read more: http://backstagetour.co/mechanical-bull-kings-leon/152/… Expand
Oct 2, 2013I still cling to the hope that Kings of Leon will eventually get back to the more rollicking, southern fried garage rock vibe of their firstI still cling to the hope that Kings of Leon will eventually get back to the more rollicking, southern fried garage rock vibe of their first two albums, but that seems unlikely at this point in their career. Mechanical Bull is an improvement over Come Around Sundown which was bland and radio friendly. This effort has a looser, more relaxed feel as if the band isn't trying so hard to prove that they're rock stars. It's a welcome approach.… Expand
Nov 22, 2013Ok great there back but there still fading. I recon it to watching a commit flying through the night sky. Started of great just seeing it forOk great there back but there still fading. I recon it to watching a commit flying through the night sky. Started of great just seeing it for the first time was memorizing. Then we watch as it becomes closer and burns so bright. However as it moves past you it becomes more and more dull. This is the career of Kings of Leon. From the first lp you were drawn to them and they got better and bigger keeping you interested, then midway the hit the pinnacle and continued to decline. This was a failed attempt, this album needed to come across as new and edgy instead you can tell they are not able to change and evolve they have clearly gone through their ability to evolve and stay creative. They now are reminding me of ACDC everything is starting to sound the same only instead of accepting that they are ACDC they aren't willing to get creative with in the realm in which they are capable and produce hits that are entertaining. Now it seems Caleb thinks he is the next Jim Morrison with no ability to set the stage for a picture painted in that oddly Picasso style Jim did always knowing that if you looked or listened carefully you would see that the meaning was there it was just perfectly hidden. Caleb throws words together hoping to achieve some mystery meaning. But when you use hillbilly insight to create mystery you just get broken sentences with no real meaning to the rest of the world. However I indeed realize we are very low I rock and roll talent now days so we should still champion them as best we can as if it's not popcorn rap we have very little to choose from which is a terrible situation. Personally I have no use for rap and even less use for the creators of the so called music. So I'll take Kings and ride mouth till the cows come home but I'm waiting desperately for true rock and rollers to emerge. Where is our new version of Guns n Roses? Why can't we have another Pink Floyd style band or anything worthy of such praise. I think the Killers are doing great things in the genre they reside in never a lp that has the same vibe and feel. Lyrics that roll off the tongue as if you were just thinking that but never knew how to articulate it. I'll take the eighties hair bands over the lost generation of rock n roll. We currently reside in. And I'm serious. Please Kings of Leon switch up the tempo and drop the E a half note once in a while. Break up or make the next album worth the twenty nine dollars on the only form worth buying vinyl with a poster and a sticker or a patch or something. What happened to Kiss? They set the stage for making the fan feel like a part of the group and even these bands that have success can't follow the formula. Make us feel like we matter give us something to care about. The world is going to hell in a hand basket can't you give us the small temporary relief ewe all desire? If only for fifteen minutes we will take it we will love it. Just give us something. But make it original on to it's self! Over all album grade B- needed a hit man! I'm being generous based on lack of competition! Really in different times C-. One last thing why is David Gray not the superstar he deserves to be? If. You haven't listened to David's first four lps please do yourself a favor and buy the records or CDs but please don't "download" them! Make these artist work for your money let them give you a full experience buy the record. It's all about back to black! The gatefold the inner lyrics sleeve the art work. Think about how many good jobs come from record sales no more money to these computer geeks! Bring back the vinyl! Thanks and take care. I'm ready for any backlash from my honest assessment! I'll leave you with this. From my book of lyrics. "In this day and age, we got kids killing kids, parents won't take the blame, they want to blame it on the TV set and video games, it's a rage... Yeah it's a rage..." Peace the Diamond.… Expand
Sep 26, 2013If you love this album, you have ridiculously low expectations of what music should be. You likely compare Kings of Leon to Lady Gaga orIf you love this album, you have ridiculously low expectations of what music should be. You likely compare Kings of Leon to Lady Gaga or Rhianna and think that this latest insipid offering from the Nashville quartet is somehow more credible because they wear chequered shirts and play guitars. The album is an insult to my intelligence from beginning to end, and if that wasn't enough they've even called it Mechanical Bull (translation; going through the motions garbage). "Don't Matter" could easily be a b-side that Queens of The Stone Age record when they reach their 60s."Family Tree" is a poor rehash of The Zutons "You Will You Won't", missing the sense of communion it is so blindly attempting to embrace. "Temple" contains the album's only fleeting moment of true enjoyment in an otherwise heavy, tired and extremely pointless album by a band who just don't care any more.… Expand
|OK Computer: OKNOTOK 1997-2017 - Radiohead|
|Sgt. Pepper's Lonely Hearts Club Band [50th Anniversary Edition Deluxe Version] - The Beatles|
|Purple Rain [Deluxe Expanded Edition] - Prince and the Revolution|
|DAMN. - Kendrick Lamar|
|Lovely Creatures: The Best of Nick Cave and the Bad Seeds, 1984-2014 [Box Set] - Nick Cave & the Bad Seeds|
|A Boy From Tupelo: The Complete 1953-1955 Recordings [Box Set] - Elvis Presley|
|Kickin Child: Lost Columbia Album 1965 - Dion|
|A Crow Looked at Me - Mount Eerie|
|Singles [Original Motion Picture Soundtrack] [Deluxe Edition] - Various Artists|
|Les Liaisons Dangereuses 1960 - Thelonious Monk|
|Melodrama - Lorde|
|Bright Phoebus [Reissue] - Lal & Mike Waterson|
|The Joshua Tree [30th Anniversary Super Deluxe Edition] - U2|
|Eternity, In Your Arms - Creeper|
|Black Origami - Jlin|
|Science Fiction - Brand New|
|Leftism 22 [Reissue] - Leftfield|
|Big Fish Theory - Vince Staples|
|American Dream - LCD Soundsystem|
|Far from Over - Vijay Iyer|