Meet Glen Campbell
- Glen Campbell
- Band Name: Glen Campbell
- Record Label: Capitol
- Release Date: Aug 19, 2008
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The initially spectacular '60s orchestration eventually begins to wear, but the Witchita Lineman does imbue already good tracks like Tom Petty's 'Walls' and Travis' 'sing' with a genuine sense of grandeur. [22/29 Aug 2008, p.122]
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This reverence for Campbell's greatest work is what grounds Meet Glen Campbell, as it shows a deep understanding of what made those recordings work as pop records as well as an understanding of what a terrific interpretive singer Campbell is at his peak.
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This reverence for Campbell's greatest work is what grounds Meet Glen Campbell, as it shows a deep understanding of what made those recordings work as pop records as well as an understanding of what a terrific interpretive singer Campbell is at his peak.
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This reverence for Campbell's greatest work is what grounds Meet Glen Campbell, as it shows a deep understanding of what made those recordings work as pop records as well as an understanding of what a terrific interpretive singer Campbell is at his peak.
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80There are more examples of cover albums gone wrong than gone right. Thankfully Glen Campbell's new set, which finds him ably putting his own twist on tunes from Tom Petty & the Heartbreakers, Foo Fighters, U2, Green Day and John Lennon, among others, fits into the latter category.
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70What appear to be strange song choices on paper are risks that pay off.... Although he has his moments of sentimentality on John Lennon's 'Grow Old With Me' and the Velvet Underground's 'Jesus,' Campbell is still a formidable interpreter of song who even overcomes heavy-handed production to remind us why he was always our favorite charismatic pop-music cowboy.
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60The arrangemnts are smartly constructed, Campbell's guitar is economical and crisp, and his interpretibve skills and singing are as sharp as during his commercial peak. [Sep 2008, p.112]
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60The listenable authority of Campbell's voice, especially on Foo Fighters' 'Days Like These,' confers the poise you suspect Richard Ashcroft was looking for while solo, but never found.
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60Julian Raymond's production gives the good-timey guitar-and-bajo sound a sharp kick in the butt. [Sep 2008, p.78]
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60This isn't exactly Johnny Cash doing Nine Inch Nails, but it's a helluva lot better than you might expect.
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60Campbell doesn't reinvent any of them, but he was never really an inventor. What he does is make a fine, if not spectacular, album that mostly plays to his strengths.
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There's nothing really objectionable here, but nothing transcendent either.
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Positive: 4 out of 4
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Mixed: 0 out of 4
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ta9
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joej9The album stands as a tribute not only to Campbell's timeless talent but also to the songwriters and producers Raymond & Willing. Great stuff.
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Eclipse7549