Milk Cow Blues

It plays like an enjoyable variety show, since, as opposed to star turns, Willie's company puts in guest appearances, creating a strange mixture of not enough or a little too much (save for Willie's solo turns).

If there is one drawback to this album, it is its somewhat overproduced nature. A little too clean and a little too short, Milk Cow Blues shows glimpses of what could have been, an all-star cast jamming to Willie classics and traditional blues like "The Thrill Is Gone" and "Ain't Nobody's Business."

Fortunately, for most of the album, the soft-but-solid Austin backing band assembled by guitarist/co-producer Derek O'Brien is as well seasoned as Nelson, and shares his gift for making a little go a long way. And, ultimately, the best tracks may well be those sung by Willie alone.

A sterling showcase for Nelson's bluesier side ?

The duets always seem like an intrusion to his musical vision, especially since everybody except Dr. John oversells these songs, singing like a cliché instead of finding their own sound. It's all the more frustrating because Nelson really does find his voice on each song here, a fact that's apparent on the three songs he has to himself...