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Minotaur Image
Metascore
73

Generally favorable reviews - based on 11 Critic Reviews What's this?

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  • Summary: The Clientele’s 2009 album Bonfires on the Heath was one of the best, most hauntingly beautiful records of the band’s impressive career. So strong that it spawned an equally wonderful EP made up of songs recorded at the Bonfires sessions that were deemed suitable for the album itself.The Clientele’s 2009 album Bonfires on the Heath was one of the best, most hauntingly beautiful records of the band’s impressive career. So strong that it spawned an equally wonderful EP made up of songs recorded at the Bonfires sessions that were deemed suitable for the album itself. Hard to believe that they couldn’t find room for the title track "Minotaur" as its fragile melody and sweetly swaying dynamics would have fit in perfectly. The same with the bouncing and sweet "Paul Verlaine"; it would have been one of the more memorable tracks there. That these songs were indeed left off only points out how good Bonfires was, and how easily the Clientele concoct note-perfect autumnal pop. Add in a moodily drifting cover of The West Coast Pop Art Experiment's creepy ballad from the late 60s,“As the World Rises and Falls,” a couple of tracks that hit the usual Clientele sweet spot between heartbreak and tender melancholy, and a long spoken word ramble from leader Alasdair MacLean, and you have a record that rises above stopgap or left-overs status. Minotaur is as essential as anything else the band has released and whether as part of Bonfires or on its own, the record stands as a welcome addition to their legacy as one of the great indie pop bands of their era. ~ Tim Sendra Collapse
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Score distribution:
  1. Positive: 8 out of 11
  2. Negative: 0 out of 11
  1. They've proven themselves able to change drastically in the past--so, even though Minotaur is one of their lesser works, I can't help but hope that a band as consistently transcendent as the Clientele will continue on into the future.
  2. Minotaur's back half is fairly trifling, but the EP's first five songs are as strong as any in The Clientele's catalogue.
  3. Q Magazine
    80
    At 25 minutes, Minotaur is slight but still a fine distillation of the band's deceptive charms and retains the sense of something very unsettling lurking at its core. [Oct 2010, p.105]
  4. All considered, Minotaur is thoroughly pretty and easy to appreciate on a compositional level; the usual blend of modern-era indie pop with iconic '60s sensibilities. But it's like that particular horse has been beaten past recognition, rendering Minotaur a little too safe for its own good.
  5. Judged objectively, Minotaur is a good if somewhat slight record, with enough quality to comfortably surpass most music likely to be released this year. But when compared to The Clientele's previous work, this is one for the completists rather than an essential purchase.
  6. So yes, on Minotaur they continue draw deeply from 60s soft-pop; if you've enjoyed the Clientele's last few albums, you're guaranteed to enjoy at least 6/8ths of this mini LP.
  7. Whether it is a last gasp from an unusually consistent band or merely a palate-clearing exercise pointing the way towards a perhaps more experimental direction to be found on a follow-up LP, Minotaur is buoyed by an excellent front half and a less stellar back end.

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