- Critic score
- Publication
- By date
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Feb 2, 2011There is a lot to admire here and maybe that's the main problem....he often favors rambling, low-key country numbers that get you to quietly consider the bittersweet nature of our existence rather than lose yourself in the song.
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Feb 15, 2011Mission Bell is hopefully a transition record for Lee, one that shows him at the crossroads of polished, packaged pop tunes and the grittier gut-wrenchers of artists like Nelson and Williams.
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Feb 11, 2011While a couple of catchy turns of phrase compensate for some elementary rhymes, there aren't enough hooks to make the songs memorable.
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Feb 2, 2011"Violin," the lone track which seems to bare a hint of Calexico influence, is unsurprisingly the album's clear highlight: a swelling, sweeping slow-burner with wide-screen atmosphere, angelic harmonies and pedal steel aching over modest acoustic strums. More of this ilk and Mission Bell would have been a stunner.
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Feb 4, 2011For now, Amos Lee seems like he's biding time, cashing in on a few well-known guest stars (also here: Priscilla Ahn, Pieta Brown, Sam Beam, and drummer James Gadson), and nursing along his case of deep mellow.
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Q MagazineMar 1, 2011A handsomely crafted affair of aching sincerity and a light pleasing soulful touch. What's missing are a couple of standout tracks to get the ball rolling. [Feb 2011, p.124]
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Feb 7, 2011Like his labelmate Norah Jones, Lee is a great foil, and the standouts on his chart-topping fourth album--cut with cowboy-mystic indie rockers Calexico providing moody backup--are the cameo tracks.
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Feb 2, 2011Mission Bell [is] a pleasant record, but Lee should be aiming for more than just "pleasant" by this point in his career.
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Feb 2, 2011Mission Bell isn't anywhere near a disaster, but it's also nowhere close to being a great album. Whatever it is Amos Lee went off in search of at the beginning of this album, he should have kept looking for it.
User score distribution:
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Positive: 7 out of 8
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Mixed: 1 out of 8
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Negative: 0 out of 8
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Jun 22, 2015
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Apr 22, 2011