User Score
Universal acclaim- based on 289 Ratings
User score distribution:
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Positive: 245 out of 289
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Mixed: 23 out of 289
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Negative: 21 out of 289
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SienaK.Oct 10, 2007boring, crude toward women
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ARthurD.Jun 1, 2007Man, this stuff is tired and lazy. Move along, nothing to see.
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AlexSJan 13, 2007I dun get y dis bitch is all popular. He sux and he's uglieee!!!
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tryrtyrtrtyrtyrtNov 27, 2006he cant sing
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BurtJNov 2, 2006Another disappointment from one of the great minds of the 60s. We should have listened to him fifty years ago when his brain was fresh and he said he had no idea why he wrote his songs.
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RonaldNOct 25, 2006Sorry, I am a great Bob Dylan fan but this did not impress me at all. I would not have purchased it if I had heard it previously. I really love his earlier works.
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PierreTOct 16, 2006I agree, this is not a 10. Too much hype.
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MartinLOct 16, 2006This is trivial music
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sorenhSep 27, 2006Present this to someone who does not know who Bob Dylan is, and he will tell you how trivial this piece really is. Dylan has a message, but it is not musical.
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joebSep 22, 2006Boring.
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DavidJSep 18, 2006Only just about OK as background sub-muzak. Utterly undeserving of good reviews. I simply don't care if I never hear this over-praised pastiche again.
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TomSSep 13, 2006
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jackLSep 7, 2006im bringing down the ratings
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warsawXSep 2, 2006If this album would have appeared under an unknown songwriter
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SallyHAug 29, 2006Generic Starbucks blues, quite uninspiring and dull. Strictly for the old folks.
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RHAug 28, 2006Heh, I agree exactly with the [Anonymous] reviewer. Desire was his last great effort and everything since is a crushing bore. I'll pass on listening to this former great mumble some nonsense over sluggish, generic rock. Another Dylan album receiving praise for no reason.
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[Anonymous]Aug 26, 2006this album will undoubtedly receive drooling reviews from critics... but just like every other Dylan album since Desire, it will have no staying power and is.. well, lame.
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Awards & Rankings
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UncutLove And Theft was quite unlike any other pop album--apart, that is, from Modern Times, its direct and audacious sequel. [Sep 2006, p.72]
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Intriguing, immediate, and quietly epic, Modern Times must rank among Dylan's finest albums.
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It's hard to hear Modern Times' music over the inevitable standing ovation and the thuds of middle-aged critics swooning in awe. When you do, you find something not unlike its predecessor, Love and Theft.