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Petty’s classic pop knack, breezy melodies and laid-back drawl take a back seat to Campbell’s meandering, jammy solos and the album’s overwhelmingly old-guy-blues sound.
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The record is long on instrumentals and short on singing, with Petty showing up mostly to fill space between guitar solos and extended jams, giving Mojo a higher Heartbreakers-to-Petty ratio than any previous release. But if Mojo is meant to be the band's showcase, it's not an especially successful one.
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UncutUnfortunately, and rather ironically, Mojo is ultimately undone by the very virtuosity of its creators: the band stumbles repeatedly into that musican's trap of making music that sounds intended principally to impress other musicans. [July 2010, p.102]
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And in Don't Pull Me Over – a plea to a police officer for clemency over marijuana possession, set to an Eric Claptonesque vision of reggae – Petty may have written the worst song ever.
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The playing is solid, but one wishes Petty & the Heartbreakers had simply covered some of those old Chess classics rather than trying half-heartedly to write their own -- it would have made for an album closer to intent.
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Mojo sees Petty steep himself in Americana again, adopt a live-in-the-studio feel, and generally rock out. The results are initially quite perky, as the band crash and charge through songs, but after a couple of plays everything becomes rather dull.
Awards & Rankings
User score distribution:
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Positive: 21 out of 27
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Mixed: 5 out of 27
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Negative: 1 out of 27
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CodyT.Jun 17, 2010
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LeoTJun 17, 2010WOW! These guys never disappoint. highly recommended.
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AndyBJun 16, 2010Possibly the most honest blues album i've heard in a very long time. The honesty that presents itself in every track is incredible.