My Best Friend Is You

  • Record Label: Geffen
  • Release Date: Apr 20, 2010
Metascore
69

Generally favorable reviews - based on 19 Critics

Critic score distribution:
  1. Positive: 11 out of 19
  2. Negative: 0 out of 19
  1. My Best Friend Is You builds on her more conventional 2008 debut, Made of Bricks, with a punchy, almost dizzying mix of garage-rock bedlam, scene-skewering snap, and sweet girl-group melodies.
  2. My Best Friend Is You hasn't got the immediate freshness of Made Of Bricks, and it can make for a disorientating, uneven listen at times. Yet it's never anything other than compelling and demonstrates that, despite what a lot of people thought when she first appeared, that Kate Nash could well be around for a good few years yet.
  3. Not only has the sound been plumped up with girl-group strings--for which thank producer Bernard Butler--she's been listening to Bikini Kill and Sonic Youth and is consequently far more daring a writer and singer.
  4. The album moves from infatuation and jealousy to lust and betrayal to real, young love. And it does so with not just the best of intentions-- feminism, anti-homophobia, artistic experimentation-- but also, in the storytelling style of the Streets or Sweden's Hello Saferide, a set of distinctive, well-crafted songs that should strike a chord with self-deprecating teens and twentysomethings.
  5. My Best Friend is You is peppered with pettiness, too, but it's a little more grown-up-and way more amped-up.
  6. Nash is at her best here when she's following The Pipettes back to girl groups' heyday, and while it doesn't end with the bang that it starts with, My Best Friend Is You will make most people wish that their post-teen angst sounded this good.
  7. Largely, though, Nash sounds just like herself, and that's exactly when she shines most brightly.
  8. It feels like a definite upgrade for her, Kate Nash deluxe, courtesy of producer Bernard Butler's expectedly lavish touches. But her standard style of outloud diary readings are not privy to the same overhaul. They prevent it from feeling like much of a progression.
  9. My Best Friend Is You is, indubitably, rather daring for a mainstream pop album. Yet for all the Butler-begat polish, it's hard to work out whether it really is a mainstream pop album.
  10. Longing for a woman's kiss, f-bombing a girl for selling herself short, and tasting the barrel of a gun, Nash is an oversharing spitfire who won't be ignored--not to mention a huge talent.
  11. 70
    Now 22, she's full-on pissy and proud, pulling from some reliable forebears on this fascinating follow-up.
User Score
6.4

Generally favorable reviews- based on 25 Ratings

User score distribution:
  1. Positive: 5 out of 8
  2. Mixed: 0 out of 8
  3. Negative: 3 out of 8
  1. May 27, 2011
    0
    Quite possibly the worst album I've ever bought. What Happened Kate? One trick pony?
  2. Dec 1, 2011
    1
    this is **** comparing to her amazing debut, what happenedthis is **** comparing to her amazing debut, what happened kate????///////////////////////////////////////////////////////////////////////////////////////////////// worst album ever... Full Review »
  3. Sep 7, 2011
    10
    My Best Friend is You, the sophomore album by Kate Nash, is a great example of how an artist can mature, after taking a break, writing songsMy Best Friend is You, the sophomore album by Kate Nash, is a great example of how an artist can mature, after taking a break, writing songs and taking inspiration, this is the result. Lead single 'Do Wah Doo' shows a mix of the 60's sound, borrowed from The Shirelles, The Supremes and many others, and her very own style of piano pop. With a surprising subtlety leading up to the climax of the song when Nash lets out 'Well I think she's a **** The song oozes jealousy and underlying emotion camouflaged in the cheery piano/trumpet accompaniment. In tracks such as 'I Just Love You More', 'I've Got a Secret' and 'Take me to a Higher Plane' Nash shows her alter ego, in these tracks, Nash shows the personality (and voice) of a rock goddess, but still allows herself to be seen accessible through the simplicity of her lyrics and the messages these songs carry. Opening track 'Paris' takes a nod back to 'Made of Bricks', the somewhat pessimistic track about losing friends and growing up in general leads us into a false sense of bliss with the strong, vibrant piano lead. Second single 'Kiss that Grrrl' once again, takes a nod to the 60's sound with the strong surf guitar accompaniment. The lyrics show a somewhat humorous view of a failing relationship, on the same note as previous hit 'Foundations', once again, the story is of a girl getting jealous of another, and this is Nash's own fairy tale, the chorus however, shows the strength and bluntness that her personality can hide, 'Kiss that girl and I will shrink up, and I will cry and I will think up, a thousand ways that I can hurt you, and you will never touch my hand' through this she releases the feminist lying within, showing that a woman can win over a man. The later track 'Later On', the third single from the album, 'Early Christmas Present' and 'Pickpocket' almost blend together. The mood is somewhat killed by track 'You were so Far Away', the theme of the song is unclear and I am sad to say it lets the album down a bit. Nevertheless, the album is picked up by 'I hate seagulls', an acoustic track reminiscent of 'Birds' (excuse the pun), and at the end is a secret bonus track, also acting as the title track, all in all, a great album, which I highly recommend. Highlights are 'Paris', 'Do Wah Doo' and 'Early Christmas Present'. Full Review »