Narrow Stairs - Death Cab for Cutie
Metascore
73 out of 100

Generally favorable reviews - based on 31 Critics

Critic score distribution:
  1. Positive: 20 out of 31
  2. Negative: 0 out of 31
  1. Narrow Stairs finds Death Cab comfortable with all aspects of its musical personality--and on top of them all.
  2. Narrow Stairs proves that with Death Cab For Cutie, it's possible to relax and let them do their own thing. Which is a remarkable thing indeed. [Spring 2008, p.75]
  3. 80
    This is the sound of a band surprising itself. [July 2008, p.92]
  4. 80
    This LP, which matches "Transatlanticism" as Death Cab's best. [June 2008, p.71]
  5. Narrow Stairs is far from desperate, however, and the album's willingness to steer Death Cab into unfamiliar territory (or, to reference an earlier lyric, "into the dark"), is by far its strongest asset.
  6. Gibbard's indie-rock blues still plumb emotional depths with remarkable literary detail.
  7. 80
    While that may sound dangerously morose, Death Cab have become skilled with the light/dark juxtaposition.
  8. The real reason narrow Stairs works so well is that despite the band's more esoteric experiments, they still contribute standalone pop hits. [June 2008, p.125]
  9. The quartet are more impressive, and moving, when they try less hard.
  10. Narrow Stairs is the sound of a band falling in love with the concept of sound; as such, Gibbard's stately lyricism largely takes a backseat--although his voice has never sounded more different and varied.
  11. While Narrow Stairs may scale down the melody-assaults of previous efforts, with their fresh groove and whiff of rebellion, Death Cab announce themselves as genuine rock stars.
  12. The songs here hit with a full-on assault of crunching guitar riffs, distorted, cracked vocals and walls of disorienting feedback, while lyrically, frontman Ben Gibbard visits the moodier and darker corners of his mind.
  13. This time out the musical gambles are bolder and the outcome proportionally more dramatic.
  14. It's by no means a cheery album, but Narrow Stairs shows Death Cab for Cutie has overcome its major-label jitters and resumed making vital music.
  15. A lesser band would shadow Gibbard's woe with their shoulders hunched. Instead, Death Cab's ebullience makes this a redemptive work about sadness.
  16. When Gibbard gets out of his own head, the confrontation between his tuneful optimism and the real world can yield an exhilarating dramatic tension.
  17. 70
    Throughout Narrow Stairs, the band allows itself to open up, twisting and tinkering the same old style to their liking with mixed results. [Spring 2008, p.90]
  18. On its own, it has some great moments, and it is a very good pop/rock record.
  19. It may not be perfect, but it was certainly worth the wait.
  20. Ben Gibbard has shown growth which each successive release, and made the jump to hooky pop-songsmith with the Postal Service's (apparently) one-off collaboration, but Narrow Stairs feels stagnant, devoid of even the superficial pleasures present on Plans.
  21. At times, the maturation feels forced; the more adventurous moments here are experimental only for such a high-profile group, and they don't play to Gibbard's sentimental, word-weighing strengths.
  22. 60
    If the imagery on this album is often solemn--ice, looming meteorological disaster, remote canyons--it isn't melodramtically so. [June 2008, p.109]
  23. It's as if, in the very best sense, they don't care any more. [June 2008, p.138]
  24. Not the rock assault Gibbard thinks it is, but certainly more hard-hitting than ever.
  25. Caught between the indie-pop that they so cleverly deviated and their new found ambitious sound, Death Cab For Cutie have lost themselves.
  26. Narrow Stairs finds Gibbard more than willing to play to type, offering the same staid character sketches he's used since his first EP and songs that reiterate his point, that, like, love can be rough on you.
  27. It's a predictable formula, a majority of the tracks building to a triumphant climax set to an egg timer, peppered with forced witticisms, seemingly culled from Postsecret, that have reached a new apex of laziness.
  28. Death Cab mostly abandons the full-sounding multi-tracked production they preferred during their rise to primetime soap stardom, and the effect is unflattering.
  29. Inoffensively bland offering from US indie pop outfit.
  30. Perhaps if there were more self-exploration and less chemical dependency on the old standby, heartbreak, Narrow Stairs wouldn't sound, to paraphrase the band, like settling.
User Score

Generally favorable reviews- based on 58 Ratings

User score distribution:
  1. Positive: 22 out of 27
  2. Negative: 3 out of 27
  1. Revolutionary, it certainly is not. There's just so much to like here. The band is totally in their element at this point, and on easy-breezy tracks like "Bixby Canyon Bridge", "Cath...", and "I Will Possess Your Heart", it's visible in spades. Not a great album, but a really fun one. Full Review »
  2. I suppose this album had to happen as a transition between Plans and Codes & Keys, but I still never got on board this one. Decent songs throughout ("Cath" might be one of their better songs), but overall it felt more like a collection of B-sides and near misses. The flow on this album is nowhere to be seen. Full Review »
  3. I can't believe how some people were able to dig that one out. This album is terrible... Except from the excellent opener Bixby canyon bridge every songs here seems to be a plain bore, absolutely not fun, melodic or catchy at all... or even artistically interesting. "I will possess your heart " will certainly go down in history as Death cab least good song they ever wrote, they probably already want to eradicate it completely from their catalog. It 's sad because to album cover and the title is really good, I really wanted to like that album, but unfortunately couldn't. Full Review »