- Critic score
- Publication
- By date
-
Necessary Evil is bereft of surprises and is pretty much as you would expect it to be.
-
MojoUnsurprisingly, Necessary Evil falls short of her prime's pop perfection, yet it provides a fair compendium of her career. [Oct 2007, p.90]
-
It's not what anyone is hoping for from Harry, but the highlights are decent enough to keep hardcore Blondie fans satiated until she finds some collaborators worthy of her talent.
-
You’ll notice when the guitars escalate on 'You’re Too Hot,' when Harry sotto-voces her sexpot act on 'Dirty and Deep.' But you’ll really notice when a long diminuendo fourteen tracks in proves a bridge to the last three songs.
-
The pastiche of styles on Necessary Evil is quintessential Debbie Harry, but diamonds in the rough aside, it also makes for a wildly uneven, often jarring collection of songs.
-
There are interesting moments here, but they're fleeting, crying out for a bit of the deliberate craft of Blondie's comeback albums, which may be predictable but at least they're focused, which makes for easier listening than this long 17-track slog of sound.
-
UncutThe results are frequently souless and over-produced. [October 2007, p.93]
-
Q MagazineThere's commendable variety among these 17 tracks, but little that rises above the mediocre. [Oct 2007, p.98]
-
Debbie Harry's sixth solo album starts off strong, or at least nostalgic, with a pair of ebullient New Wave pop-rockers, 'Two Times Blue' and 'School for Scandal.' Then it just gets stupid.
User score distribution:
-
Positive: 9 out of 11
-
Mixed: 1 out of 11
-
Negative: 1 out of 11
-
hristov.Oct 15, 2007good and updated production, perfect voice. if not her best solo, surly pretty close. grab it!
-
toddw.Oct 14, 2007
-
ChristianBOct 14, 2007