Never Gone - Backstreet Boys
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Mixed or average reviews - based on 7 Critics What's this?

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Mixed or average reviews- based on 100 Ratings

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  • Summary: This is the first album in five years for the boy- er... man-band.
Score distribution:
  1. Positive: 0 out of 7
  2. Negative: 2 out of 7
  1. Never Gone [is] a solid adult contemporary album, which will please both BSB diehards and the dwindling ranks who wish that the glory days of Jon Secada never ended, but its relative strength does highlight one problem with the album: this kind of music doesn't sound quite as convincing when delivered by a group of guys as it does by one singer.
  2. This corny comeback is hardly a triumphant return. [24 Jun 2005, p.165]
  3. Even if they aren't Never Gone, their inspiration certainly is.
  4. 40
    Never Gone's rock ballads are painfully and sometimes powerfully earnest demands for meaning and redemption. [Aug 2005, p.108]
  5. What stops the Backstreet Boys from being any fun is, I think, their inability/refusal to wink at their audience.
  6. The Backstreet men rarely accelerate beyond a mid-tempo thud. [16 Jun 2005, p.100]
Score distribution:
  1. Positive: 37 out of 58
  2. Negative: 20 out of 58
  1. Mar 15, 2011
    I've listened to all of the Backstreet Boys albums,and this one is possibly their best,depending on how one views Millenium.Their sound here is more mature but still melodic and pleasant,rather than the heavily-electronic dance music their most recent two albums have been.They've clearly shed their poppy roots and are embracing adulthood here,but while I found the tone of it somewhat unsure of itself,it wasn't ever **** or trying too hard to prove itself.The Boys teamed up with popular adult contemporary composers and artists they admired,like Darren Hayes from Savage Garden and one of the members of Train,to create a more adult contemporary style that embraced a very different set of sounds than their previous albums;whereas their previous releases had had a fair amount of electronic melodies mixed in with some light acoustic sounds,this one went almost entirely acoustic,and the new palette of sounds is refreshing.The Backstreet Boys always had the advantage over their competition in that they could actually sing,and this album allows them to show that,instead of their vocal talents takiing second fiddle to hooks and catchy choruses.The subject matter is also more mature this time around;now,instead of singing about teenage love,they sing about the world post-September 11th and a Poster Girl who likes to hook up in elevators in front of the security cameras.Overall,this was a mature effort by the band,who had outgrown their poppy days,but more recently have returned,unfortunately,to meaningless lyrics and studio editing instead of relying on their actual talent. Expand

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