- Critic score
- Publication
- By date
-
SpinThere isn't a tune on No Cities Left, the Dears' gorgeous second album, that's not pitched at a minor state of emergency. [Jan 2005, p.99]
-
MojoA drizzly doomsday masterpiece. [Nov 2004, p.108]
-
Sad music has never sounded so uplifting.
-
This is an album on which EVERYTHING ace you can think of in indie happens.
-
FilterAn astoundingly complex, deeply evocative pop record. [#13, p.98]
-
New Musical Express (NME)Sound[s] like Marvin Gaye fronting The Smiths while the London Philharmonic Orchestra has a stab at the Burt Bacharach songbook. [9 Oct 2004, p.55]
-
At its best sounds like a suicidal combination of Blur and the Divine Comedy.
-
An album that shimmers in unexpected places, is never predictable, and should set the Dears up to be major contenders in 2005.
-
UncutThis is seriously literate stuff, and all the better for it. [Nov 2004, p.120]
-
Theres a bit too much flab on No Cities Left for it to be the truly great album it aspires to be.
-
A curious amalgamation of styles that is ultimately quirky and compelling.
-
[An] intense and epic album.
-
No Cities Left is a very good album, just not quite the timeless classic some would lead you to believe.
-
Q MagazineCan be summed up succinctly: Damon Albarn sings The Smiths. [Nov 2004, p.130]
-
The Dears, by and large, make tracks that would slide without much distinction onto any number of mid-90s albums, neither gumming up the works nor sounding particularly special.
-
It is true, this album does have songs and nearly all of them suffer the same fate: a few great ideas ruined by the need for everything to be so overblown and melodramatic.
Awards & Rankings
User score distribution:
-
Positive: 21 out of 23
-
Mixed: 1 out of 23
-
Negative: 1 out of 23
-
Mar 29, 2011
-
DennyCOct 19, 2006Lost in the plot & we can have it God damn brilliants songs
-
TomJJun 29, 2006amazing