- Summary: The 10th full-length studio release for the Chicago rapper was produced by No I.D. and features guest appearances Jhené Aiko, Snoh Aalegra, Big Sean, Elijah Blake, Cocaine 80's, Dreezy, Lil Herb, and Malik Yusef.
- Record Label: Def Jam
- Genre(s): Rap, Alternative Rap, Hardcore Rap, Midwest Rap
- More Details and Credits »
Positive: 10 out of 10
Mixed: 0 out of 10
Negative: 0 out of 10
Jul 22, 2014Definitely the best rap album of the year so far. It's a good album overall with a good amount of Lyricism from Common and some great feature verses. The production for some songs sound a little too abstract for Common, but overall had some really good production. Common does a very good job of sticking with the theme of the album and illustrating what it means to be from Chicago. The features from Lil Herb and Vince Staples really adds to the theme too. Definitely a great album compared to the rap albums that have come out this year so far.… Expand
Jul 23, 2014So far ..... this is one of the best Hip-Hop albums of the year, along with "Piñata" by Freddie Gibbs and Madlib. This album contains Interesting, but overall great production. This is a concept album about Common's hometown Chicago, which contains lyrics and themes about violence, crime rates, and the economy of Chicago. The last track in the standard edition of this album contains an impressive tribute to the legendary deceased Hip-Hop producer J Dilla. Overall, Common hasn't been this impressive since "Be" and "Like Water for Chocolate".… Expand
Aug 24, 2014Overall, Nobody's Smiling is a solid album. It has some definite lows in the middle with tracks such as "Blak Majik", "Speak My Piece", and "Hustle Harder", but those are sandwiched by good ones such as "Diamonds", "Kingdom", and "Rewind That". It is easy to become disillusioned by those middle tracks, but the inclusion of great tracks at the end brings you back into thinking this is a good album. As a whole, Common has released better ones, but Nobody's Smiling is a solid entry into his discography that gets the job done.… Expand
Aug 5, 2014I am infinitely confused why this album is getting such high reviews. Half of the standard edition is composed of mediocre, sell-out tracks with very little of the lyrical depth Common has become known for. Songs such as "Blak Majik" and "Speak My Piece" were entirely centered around repeating samples/phrases. And let's ignore the fact Jhené Aiko performed far better on "Blak Majik" than Common did. He definitely should've traded out three of the standard edition tracks for the three deluxe edition tracks. "Hustle Harder", despite a fast and infectious flow, is a conceptual nightmare featuring little lyrical effort. Finally, "Diamonds" is an atrocious car crash of a song with semi-decent Common verses accentuated by a garbage Big Sean hook, all topped off with an awkward, choppy Sean verse at the end.
Despite all of these glaring weak spots, "The Neighborhood" and "Nobody's Smiling" were solid tracks on the standard edition, as were "Out On Bond" and "Young Hearts Run Free" on the deluxe edition.
"Kingdom", "Rewind That" & "7 Deadly Sins" were all masterpieces and manage to make this album a good listen in a weak year for rap. ~ 6.4/10 ~ including deluxe tracks: 6.9/10… Expand
Jul 23, 2014From stardom rises on "Be" to weaker shines on "Universal Mind Control", the Chicago state of mind themes falls in-between sonically, but lyrically Common's 10th full length is one of Hip Hop's better to be released this year!
The album opens up with features from Cocaine 80s, a James Fauntleroy whom beautifully goes toe-to-toe with a smokey sample of Curtis Mayfield. Common start things off, delivering top-notch verses about his hometown, Chicago, and it's gang life and morality, and the rapper Lil Herb who did not witness to see Common's first releases spits straightforward fire, quotables and being current with the raps of Herb's tough and hard street-life "I’ve been out there three days and I got shot at three times / Felt like every bullet hit me when they flew out each nine".
The Jhené Aiko-assisted "Black Majik" tosses on mythical ideas, religiously and fantasized imageries over a creative and fresh No I.D. produced cut. Common does well, but Jhené Aiko with features-after-features keeps impressing and stealing the shows. While on that note, with Aiko the long TDE affiliated artist, it got me scratching my head asking "Where the hell did the absolutely fantastic Ab-Soul record go?" a track ("Made in Black America") who thus far was one the best tracks of the year with stunning verses from both MCs and one of No I.D.s better produced cuts in a while.
Then there is, the Kanye West inspired "Diamonds" which sonically is solid. A muddy rage fest triumph, it is quite catchy and has one interesting bump to it's drums and instrumentals. But, only five seconds in who's hook rhymes "Campaign poppin" with "Champagne poppin’" and with it's elementary ad-libs "Aye, aye, aye, aye.." all over, the feature Big Sean managed making Common's at least listenable verses made into a song that is instead a un-listenable " 'G.O.O.D. Music' " song that should not seen a date. And to case worse, the awkwardly transition to Big Sean's terrible verse do not make it any better so to say. The track would work for Big Sean I guess, but for a wordsmith like Common we expect better from an album circled around Chi.
And that's that, when Common is caught slipping away from the topic of Chicago is when it becomes uninteresting, as in "Speak My Piece" which is smooth with it's late 80's, mid 90's boom-bap feel with the Biggie-sample but at the end of the day, it's just lazily put-together with production, beat being too repetitive and un-original to be making any cut into an album. More than anything a mixtape track or a radio freestyle then, at it's finest. The "Yeezus" pre-board production on "Hustle Harder" is not much better either, and if not for the good verses by Common and Dreezy it would not had it's listens.
Despite the weak moments on here, Common's "Nobody Smiling's" is not bad, it serves as an enjoyable ode and one emotional ride for a better future to his hometown Chicago. While the titel track, again has flaws on the production it at least is interesting, and tracks like the fantastic salvation of "Kingdom" and the lovely storytelling tribute to No I.D. and the late-J Dilla on "Rewind That" does enough for it to not fall flat as with the other highlights of Common's newest LP.
If earlier released songs as the grimey and raw "Made In Black America" and the bonus on the deluxe album "7 Deadly Sins" traded places with the mediocrity of some tracks on this short 10 piece record, we would certainly come across a better packed album, a damn great one.… Expand
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