Now What
by Lisa Marie Presley
  • Record Label: Capitol
  • Release Date: Apr 5, 2005
User Score
5.3

Mixed or average reviews- based on 28 Ratings

User score distribution:
  1. Positive: 13 out of 28
  2. Mixed: 2 out of 28
  3. Negative: 13 out of 28

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  1. Matt
    Jun 9, 2005
    5
    She should stick with a bluesy, gritty sound. This album is a step backwards from her debut..
  2. CatherineB
    Feb 17, 2006
    5
    Truthfully, I am a die hard, long time fan of Elvis. As much as I want to like Elvis's daughter musically, I don't. Her voice has no power whatsoever and the profanity in her songs is a huge turnoff. Interesting that she writes only "when she is depressed". That must explain the mostly dark, miserable and strange lyrics she contributes to. As a stage performer, she lacks Truthfully, I am a die hard, long time fan of Elvis. As much as I want to like Elvis's daughter musically, I don't. Her voice has no power whatsoever and the profanity in her songs is a huge turnoff. Interesting that she writes only "when she is depressed". That must explain the mostly dark, miserable and strange lyrics she contributes to. As a stage performer, she lacks charisma and the only thing that may compel you to watch her, is that this is Elvis's daughter, imperfect as she is musically.… Expand

Critic Reviews

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Metascore
60

Mixed or average reviews - based on 7 Critic Reviews

Critic score distribution:
  1. Positive: 3 out of 7
  2. Mixed: 4 out of 7
  3. Negative: 0 out of 7
  1. AllMusic
    80
    While it's undeniably polished, it's a bit too dark, a bit too quirky, and a bit too individualistic to be part of the mainstream, while being too slick and professional to be on the fringe, but the album is all the more ingratiating for being caught between two worlds.
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  2. Billboard
    40
    Despite hitmaker Linda Perry co-writing half of the album's original tracks, something is missing.
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  3. Blender
    40
    The big '80s-style production highlights her breathy-sexy vulnerability, but Presley's better when she rocks. [May 2005, p.123]
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