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Though 'Teflon' boasts Rush-like guitar thunder and violent lyrics (“Let the wheels burn, let the wheels burn, stack the tires to the neck with the body inside”), the group returns to dark balladry on 'Desperate Graves' and 'Copernicus,' two more highlights from a haunting album full of twilight poetry.
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Calling this an unplugged album is useful only in relation to what the group has produced in the past, but what the Mars Volta created on Octahedron will provide them with more range and opportunities in the future.
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This might be their ‘reflective’ effort, but it’s classic MV.
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Octahedron lacks sparkle enough to raise it above previous creative highs--it’s a recommended affair, at times truly scintillating, but it doesn’t quite deliver to the extent where all caution can be tossed to the breeze.
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it’s an excellent change of pace for the band, and proves that they can indeed write spacey, esoteric mid-tempo songs instead of...well...spacey, esoteric breakneck songs.
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These eight tracks--only one of which stretches past the eight-minute mark!--actually make up the Mars Volta's most consistently compelling slab since 2005's salsafied "Frances the Mute."
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Octahedron isn’t a representation of the best The Mars Volta are capable of, but it is a glimpse into the power they possess when they better harness their capabilities.
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It shows that for the first time they really can do restraint, without compromising the overall impact of the instances where things are let rip.
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The lyrics remain as arcane as ever. Even if you don't totally love the band's new direction, you can bet there's a juicy pretentious concept waiting to be rooted out here.
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Octahedron is most certainly not a wish for Top 40 stardom, but compared to past efforts by this collective, it’s probably the surest means of attracting a larger batch of casual listeners without completely rejecting the heady desires of Mars Volta obsessives.
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The panache of the singing, and the radiant complexity of the music--an achievement shared by Mr. Rodriguez Lopez and a handful of regular collaborators, including the Red Hot Chili Peppers guitarist John Frusciante--drive the album relentlessly forward. And it’s the subtle touches, no less than the sweeping ones, that leave an impression.
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Guitarist Omar Rodriguez-Lopez and singer Cedric Bixler-Zavala are the creative duo driving the band and once again deliver on a standing promise to blow any mind that is willing to stay open.
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Under The RadarWe already knew The Mars Volta could shred. Now we know they can slow the pace too and be equally as compelling. [Summer 2009, p.68]
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MojoThis is, however, their most mellow, reflective and tempered release yet. [Sep 2009, p.95]
Awards & Rankings
User score distribution:
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Positive: 62 out of 70
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Mixed: 4 out of 70
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Negative: 4 out of 70
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Sep 6, 2010
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Dec 4, 2010
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ChrisPJul 21, 2009