Okemah And The Melody Of Riot Image
Metascore
72

Generally favorable reviews - based on 18 Critics What's this?

User Score
9.1

Universal acclaim- based on 27 Ratings

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  • Summary: Jay Farrar has revived his post-Uncle Tupelo outfit Son Volt for their first album in seven years.
Score distribution:
  1. Positive: 13 out of 18
  2. Negative: 0 out of 18
  1. It's a bracing and welcome return to form for an important artist.
  2. Even when his overintellectualized lyrics smear into a palette of industrial gray, the guitars provide a strong human heartbeat.
  3. When not so buried in dank sonics, Farrar's familiar songwriting drawl feels more crisp and lively; being able to hear the record's engaging pop hooks is a revelation. On the other hand, this newfound production clarity reveals that Farrar might be running out of ideas.
  4. If the sound that the original Son Volt line-up cultivated began to feel oppressing for Farrar, it’s clear on Okemah And The Melody of Riot that a return in part to that sound has been good for his musical soul.
  5. 60
    By focusing on the temporal, he reduces himself to simple protest music rather than timeless folk. [Aug 2005, p.104]
  6. 40
    He's never tried so actively to fuse prescriptive politics into [the] mix, and the move feels suspect. [Aug 2005, p.115]

See all 18 Critic Reviews

Score distribution:
  1. Positive: 17 out of 18
  2. Negative: 0 out of 18