Olympia - Austra
User Score
8.2

Universal acclaim- based on 15 Ratings

User score distribution:
  1. Positive: 15 out of 15
  2. Mixed: 0 out of 15
  3. Negative: 0 out of 15

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  1. Jul 5, 2013
    9
    Just when you thought you had heard everything Austra could offer on the rather diverse 'Feel It Break', 'Olympia' comes along with a bang and offers such a magical synth-packed package you'll wish the record would never end. The band went for a more conventional synth-pop direction this time round ('We Become') but kept the quirkiness in their music ('What We Done?', 'Fire') that made usJust when you thought you had heard everything Austra could offer on the rather diverse 'Feel It Break', 'Olympia' comes along with a bang and offers such a magical synth-packed package you'll wish the record would never end. The band went for a more conventional synth-pop direction this time round ('We Become') but kept the quirkiness in their music ('What We Done?', 'Fire') that made us all fall in love with them. Not only the album manages to sound varied while still making the impression of a cohesive set, but also the songs themselves change in sound several times between their beginnings and endings ('Home'), making it impossible for the listener to get bored of them. Although the trio's sophomore album is much more dancey than their previous effort, it isn't short of emotional pieces; 'Olympia' sounds like the perfect bittersweet soundtrack for shedding tears on the dancefloor. Expand
Metascore
76

Generally favorable reviews - based on 26 Critics

Critic score distribution:
  1. Positive: 24 out of 26
  2. Negative: 0 out of 26
  1. Jul 10, 2013
    80
    The plush, throbbing synths and twinkling tension that filled Feel It Break are conjured again here, but there's a subtle shift this time in the dynamic and Olympia's power lies in its marimba-infused percussion. [Aug 2013, p.93]
  2. The growth in Austra from Feel It Break to Olympia is palpable throughout.
  3. Jul 8, 2013
    70
    While the music might still be a bit detached and remote, the more collaborative nature of this record does make it easier to meet half way, as does Stelmanis’ unerring sense of pop melody, and of when to drop a 4/4 beat for maximum effect.