On My Way To Absence
by Damien Jurado
User Score
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User score distribution:
  1. Positive: 3 out of 3
  2. Mixed: 0 out of 3
  3. Negative: 0 out of 3

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  1. DanL
    Dec 6, 2005
    9
    great album. the critics must take a vacation.
  2. MorganK
    Apr 29, 2005
    9
    I'd call this Jurado's best since 'Ghost of David' - it follows through on what 'I Break Chairs' promised without losing the narrative sense of 'Where Shall You Take Me' - I think the big name reviewers dropped the ball on this one - one of his best and one of the best of the year so far.
  3. paulk
    Feb 22, 2007
    10
    There are some gorgeous songs on here. I am the Mountain, Simple Hello, Sucker and White Center are each incredible. I've been won over listening to this album and Rehearsals for Departure and am a huge fan. I can't understand why he is so little appreciated, but I don't think the Nick Drake comparisons are really that helpful (although there is a great version of Pink Moon There are some gorgeous songs on here. I am the Mountain, Simple Hello, Sucker and White Center are each incredible. I've been won over listening to this album and Rehearsals for Departure and am a huge fan. I can't understand why he is so little appreciated, but I don't think the Nick Drake comparisons are really that helpful (although there is a great version of Pink Moon floating in the tubes of the Internet). Please do not put your faith in the views of Eurotrash. NME has been hyping Lost Prophets for years and they blow hugely. Jurado is a master songwriter in a clash with Leonard Cohen and Neil Young. I guarantee you will love this if you listen to it for a week.… Expand

Critic Reviews

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Metascore
74

Generally favorable reviews - based on 19 Critic Reviews

Critic score distribution:
  1. Positive: 13 out of 19
  2. Mixed: 5 out of 19
  3. Negative: 1 out of 19
  1. Alternative Press
    70
    Arguably his most solid collection of folk-based tunes. [Apr 2005, p.116]
  2. Delusions of Adequacy
    60
    It’s somewhat troubling to see Jurado abandoning the genre of folk that served him so well on his last album. More unsettling is the simultaneous presence of the mopey indulgence of some of Jurado’s faux-gothic breakup stories and the honed, spare excellence of tracks like “White Center,” “Lottery,” and “Fuel.”
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  3. Dusted Magazine
    60
    Jurado’s ambition seems to have outpaced his execution this time out.
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