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- Critic score
- Publication
- By date
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Apr 6, 2012Breton sound more natural when they let their rock side dominate.
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UncutMar 16, 2012Breton are distinctly maximal, all corrosive guitars, callow vocals and beats jutting at awkward angles. [Apr 2012, p.73]
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Q MagazineMar 14, 2012Elegant strings and bass, recorded by pianist and composer Hauschka, creep like ivy around this all-consuming debut. [April 2012, p.90]
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Mar 26, 2012That this 'art collective,' incubated in south London's makeshift spaces--all sketchy car parks and vibrant experimentation--should turn out a debut as casually brilliant as Other People's Problems is not surprising in itself. But that it should sound so vital, kind of is.
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Mar 26, 2012While their vision may to many appear decidedly singular, the music itself is highly accessible and polished, and comes with a sense of being a carefully considered, fully fledged complete package.
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Apr 2, 2012Easily one of the best debuts of 2012-or 2022, for that matter.
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Mar 14, 2012This debut album deserves to take them to a new height of recognition: it's a superbly mainstream-accessible set, and distinctive of design too.
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Mar 30, 2012The results are atmospheric, rough around the edges but captivating, unique and extraordinary.
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Mar 23, 2012Provides far more ecstasy than agony.
User score distribution:
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Positive: 4 out of 6
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Mixed: 1 out of 6
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Negative: 1 out of 6
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Aug 4, 2014
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May 26, 2012
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Apr 11, 2012