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- Critic score
- Publication
- By date
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Apr 6, 2012Breton sound more natural when they let their rock side dominate.
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Apr 2, 2012Easily one of the best debuts of 2012-or 2022, for that matter.
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Mar 14, 2012This debut album deserves to take them to a new height of recognition: it's a superbly mainstream-accessible set, and distinctive of design too.
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Mar 20, 2012It's far from perfect - 'Ghost Note' sounds horribly like Skrillex in places - but there [are] enough interesting sonic detours to suggest that these agitators of sound are more than just another over-hyped gimmick band.
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Mar 30, 2012The results are atmospheric, rough around the edges but captivating, unique and extraordinary.
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Mar 26, 2012While their vision may to many appear decidedly singular, the music itself is highly accessible and polished, and comes with a sense of being a carefully considered, fully fledged complete package.
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Mar 26, 2012That this 'art collective,' incubated in south London's makeshift spaces--all sketchy car parks and vibrant experimentation--should turn out a debut as casually brilliant as Other People's Problems is not surprising in itself. But that it should sound so vital, kind of is.
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Apr 4, 2012Whatever Other People's Problems is trying to say is lost beneath the fact that it's so sonically muddled and abrasive, and lyrically imprecise.
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Q MagazineMar 14, 2012Elegant strings and bass, recorded by pianist and composer Hauschka, creep like ivy around this all-consuming debut. [April 2012, p.90]
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Mar 23, 2012Provides far more ecstasy than agony.
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Mar 23, 2012Their debut album sounds pretty much exactly what you'd expect given their provenance: samples are cut and chopped, the bass judders with the insistence of dub, the vocals are drawled, electronically treated and incomprehensible, and the faint fug of weed paranoia hangs over it all.
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Mar 26, 2012It's broodingly impactful stuff, only hampered by the kind of self-parodically indie-kid vocals that remain in a permanent state of posturing ennui.
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UncutMar 16, 2012Breton are distinctly maximal, all corrosive guitars, callow vocals and beats jutting at awkward angles. [Apr 2012, p.73]
User score distribution:
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Positive: 4 out of 6
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Mixed: 1 out of 6
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Negative: 1 out of 6
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Aug 4, 2014
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May 26, 2012
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Apr 11, 2012