Our Bright Future

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Generally favorable reviews - based on 10 Critics What's this?

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Universal acclaim- based on 10 Ratings

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  • Summary: The latest album for the Grammy-winning artist was produced with Larry Klein.

Top Track

Sing For You
One, two, one, two, three, four Sweet and high at the break of dawn Simple tune that you can hum along too I remember there was a time When I used... See the rest of the song lyrics
Score distribution:
  1. Positive: 5 out of 10
  2. Negative: 0 out of 10
  1. Twenty years after her self-titled debut, Tracy Chapman remains true to her musical calling: soul-rich folk melodies around a voice of honesty and nuance that nails ambivalence like no other.
  2. Chapman creates yet another soulful, personal album that adds to her repertoire of timeless tunes with a few mentions of Jesus and Barack Obama.
  3. What has marked Tracy Chapman's work over the course of her two-decade career is her emotional intensity and clarity of vision, and both are in evidence on this fine new disc, her first in three years.
  4. Uncut
    Larry Klein places the vocals disconcertingly high in the mix, but it effectively emphasises Chapman's poetic sensibility. [Dec 2008, p.86]
  5. The Grammy-winner has a worthy reputation--and, yes, songs namecheck Katrina, Obama et al--but there's also a playful, reflective quality as Chapman looks back at the way music has shaped her life.
  6. Chapman's songwriting is as sharp as ever, which makes it all the more unfortunate that the album's production is so lifeless.
  7. Q Magazine
    The lack of any overt passion, energy and fresh ideas makes a numbing and sadly all too predictable listen. [Dec 2008, p.128]

See all 10 Critic Reviews

Score distribution:
  1. Positive: 0 out of 1
  2. Negative: 0 out of 1
  1. Nov 23, 2011
    I like Tracy Chapman. Her voice is unique, soulful and filled with power without the need for vocal gymnastics or excess volume. Her earlyI like Tracy Chapman. Her voice is unique, soulful and filled with power without the need for vocal gymnastics or excess volume. Her early albums reflected the innocence of young love, poverty and other very real themes, which makes this bland, lifeless album even more of a disappointment. Its shuffling, flat production does it no favors, and many of the songs sound more or less identical. Even one mid-tempo song would have been a welcome sonic break, but no such luck: most of the disc consists of slow, piano and/or guitar wrapped missives about life and love that ring of formula and worse: boredom. The songs aren't horrible really, it should be said, just that many of them lack the passion that made Chapman so unique to begin with. Expand