Our Endless Numbered Days Image
Metascore

Universal acclaim - based on 21 Critics What's this?

User Score

Universal acclaim- based on 37 Ratings

  • Summary: Miami, Fla. singer-songwriter Sam Beam (who moonlights as a cinematography professor) returns with his second album, recorded with Brian Deck (Modest Mouse, Red Red Meat) at the helm.
Score distribution:
  1. Positive: 18 out of 21
  2. Negative: 0 out of 21
  1. 100
    Beam has given us his second straight masterwork: self-assured, spellbinding, and richly, refreshingly adult. [Apr 2004, p.89]
  2. 90
    Beautifully recorded, this is intimate seduction for voice, elegant finger-picked guitar and not much else. [May 2004, p.93]
  3. This time around, Beam is less like some dungaree-wearing, O Brother, Where Art Thou? throwback, and more like the natural - and, frankly, wonderful - successor to the Elliott Smith and Nick Drake school of perfectly beautiful songwriting.
  4. Beam seems to have smoothed over some of his rough-hewn ruralist poetics in favor of undeveloped blandishments and sentimental homilies.

See all 21 Critic Reviews

Score distribution:
  1. Positive: 18 out of 19
  2. Negative: 0 out of 19
  1. AndrewP
    10
    Some of the best lyrics ever recorded, and the music complements them so well. Everything about this record is truly astouding.
  2. BenjaminBunny
    8
    Really quite lovely.
  3. timd
    6
    Consistency is over rated, so is this album sorry. Some songs are luvly but it seems Beam is almost too comfortable in his format.
  4. Tristram
    4
    This disc really disappointed me. Along with Earlimart, Iron & Wine is getting better press than is deserved simply by sounding like Elliott Smith. And nothing here resonates like anything from the late Smith. Its all soft but characterless adult-alternative made for people that like the Thorns record. Try Rejoicing In the Hands by Devendra Banhart instead. Expand

See all 19 User Reviews