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- Summary: This is Slint guitarist David Pajo's first solo LP under his own name (well, at least half of his own name).
- Record Label: Drag City
- Genre(s): Indie, Rock
- More Details and Credits »
Score distribution:
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Positive: 17 out of 18
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Mixed: 1 out of 18
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Negative: 0 out of 18
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Building on his unassuming alternative icon status, this great debut (under his own name) is sure to bring him that bit nearer to the awareness of the mainstream.
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The gravity and changing tides of this engaging self-titled effort help David Pajo warm up, if not transcend the post-rock tag.
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For a man who made his reputation deconstructing melody, Pajo comes across with some surprisingly winsome tunes on Pajo, drawn largely from the kind of late-'60s pastoral pop that his devotees might've dismissed derisively a decade ago.
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The tinny, noisey/flangey/hurtful sound that's shellacked on in cheap 16 bit hinders some of the best material he's written to date.
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While the self-imposed constraints limit the emotional power of songs like "Mary of the Wild Moor" and the hushed, fingerpicked "Manson Twins," it's a happy addition to Pajo's solid lo-fi repertoire.
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New Musical Express (NME)He continues his obsession with broken-hearted collages and interstellar folk music. [25 Jun 2005, p.64]
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This is about as close to ambient as a singer-songwriter can get without mixing himself out altogether.
Score distribution:
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Positive: 2 out of 3
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Mixed: 1 out of 3
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Negative: 0 out of 3
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jyotirmayadSep 1, 2005The best ambient music of today. Instinctively sure of itself yet decidedly 'unassuming.'
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WayneBSep 30, 2005
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PaulNSep 16, 2005
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