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For all the one-paced nature of its songwriting, wilfully lo-fi production values, inevitable Lily Allen comparisons and grating larynx, Panic Prevention is still an enthralling debut, and one that says infinitely more about the life of young Londoners than any amount of Bloc Party seriousness.
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Panic Prevention isn't much better than its best three or four songs, and it's due to Jamie T.'s stubborn insistence on being understood only by himself, or perhaps a precious few in his coterie.
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What Treays has in abundance, and what Allsopp lacks, is original ideas and memorable hooks.
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you've heard them before. But it's not enough to sustain interest. The dead spaces in between just feel flatter in comparison, and those same hooks end up feeling disposable. It's a sharp, quick-burn of an attraction.
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Yet Jamie T is a pop nihilist, to the degree where his lackadaisical lyrical knack, indolent hooks and skeletal beats give the listener a peep into what it truly means to be the average, youthful bloke.
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SpinWhen he sticks to cheeky storytelling, the album gains grimy traction, but empty dirges like 'Pacemaker' send it drifting into novelty territory. [Oct 2007, p.112]
Awards & Rankings
User score distribution:
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Positive: 16 out of 18
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Mixed: 1 out of 18
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Negative: 1 out of 18
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KomradAAug 11, 2009
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MikeDec 23, 2007This album is fantastic, one of the best of the year. So much fun to listen to and so varied. Not sure why it is only a 71.
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WillCDec 17, 2007Wildly inventive pop genius. Jamie T is a legend.