• Record Label: Atlantic
  • Release Date: Apr 9, 2013
User Score
8.6

Universal acclaim- based on 498 Ratings

User score distribution:
  1. Negative: 28 out of 498
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  1. Apr 26, 2015
    8
    This album redefined the bands style and proved that Paramore can provide some lyrical support to back up their kick ass music. Ending with a live portion is just the cherry on the cake.
  2. Jan 27, 2014
    8
    the first few listens, I believed this album was rather good, although it did perhaps need some subtlety in there to vary certain tracks. But a few listens later, I have officially decided that this is in fact a bold, touching and roaring stadium-tastic 17 track wonder by a band who have done better than ever before with 2 of their members gone.
  3. May 4, 2013
    9
    This is easily one of the more talked about & one of the most polarizing albums of 2013 so far, and not without good reason. Between 2/5 band members leaving, this being their first album in 4 years & more importantly showing a significant change in sound, division among fan reception would be inevitable. Fortunately what we’ve gotten is their most ambitious, mature & diverse album toThis is easily one of the more talked about & one of the most polarizing albums of 2013 so far, and not without good reason. Between 2/5 band members leaving, this being their first album in 4 years & more importantly showing a significant change in sound, division among fan reception would be inevitable. Fortunately what we’ve gotten is their most ambitious, mature & diverse album to date, and in my opinion their best, even above Riot!. At 17 tracks and 63 minutes long (19 tracks & 70 minutes if you include the bonus tracks) it’s quite easy to make an album of such length feel bogged down or redundant. But Paramore manages to engage the listener throughout the whole length, mainly because of the aforementioned diversity. The band zig-zags from one sound or style or feeling to another between tracks in a way that makes every track notable to some degree, and there’s no sign of filler to be found. One interesting recurring element here is a trio of interludes that appear at different points throughout. Basically they’re 1-minute pseudo-lo-fi acoustic songs that couldn’t have been stretched to a more “full” length. This was a good move, as restricting them to the standard pop structure might’ve bogged them down a bit. Unquestionably the most controversial song here is the most recent single “Still into You”, which people are accusing of being too poppy, and even the ever-overused term “sellout” has been thrown around. And to those claiming this is “meant for the Katy Perry crap tween girl audience” or whatever I have to ask... are you listening to these lyrics? They very clearly detail a long-term & mature relationship. Not exactly “Hey I just met you & this is crazy”. Heck, if anything this is a song for old people. But with that defensiveness out of the way, this is a great song. It’s an unabashedly bubblegummy power-pop tune with a nice guitar riff, infectious melodies & the aforementioned sweet & sincere message. This album in general seems to center lyrically on moving forward, looking to the future rather than hanging onto the past (like certain “fans” should do...), and being happy in your current situation. They’re not exactly angsty teenagers anymore. And they even at times come off very self-aware of how alienating these changes can be to a closed-minded fanbase, especially in tracks like “Grow Up”, “Anklebiters” & “Future”, where in the former the general message is summed up in the titular line “Some up of have to grow up sometimes If I have to I’m gonna leave you behind” as well as pretty much every line in the first verse. It displays the honest frustration an evolving musician experiences when people whine about them not being exactly the same as they were 7 years ago. But at the same time they manage to appreciate the past at times, like in “Part II” which is a pretty clear sequel to “Let the Flames Begin” from Riot!, and in my opinion surpasses it in quality. The 8-minute monster of a closing track (on the standard edition) Future is easily my favorite track here. The first couple minutes are fairly simple & intimate, comprising of an acoustic guitar, harmonica & Hayley singing about the titular & aforementioned themes of not living in the past. But then slowly but surely it builds into the last 5 minutes, a fantastic instrumental that rides a slow & heavy (for Paramore) groove driven by pounding drums, deep basslines & huge wailing guitar leads. As for other notable tracks, there’s the soft & sensitive ballad “Hate to See Your Heart Break”, the goofy & kinda funny “(One of Those) Crazy Girls”, the keyboard & gospel-tinged “Ain’t It Fun” & those looking for “classic” Paramore can find that in bonus tracks “Native Tongue” & “Escape Route”, which the band said they purposefully left off because it didn’t fit with the stylistic growth of the rest of the album. Overall I was pretty much blown away by this album. It’s a fantastic comeback that shows the band at their most creative & uncompromising.

    Top 5 tracks: Future, Still into You, Grow Up, Ain’t It Fun, Now
    Score: 94/100
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  4. May 11, 2017
    10
    A sprawling, 17-song, 64-minute monster that is without a doubt the finest music these three artists--vocalist Hayley Williams, guitarist Taylor York and bassist Jeremy Davis--have ever made.
  5. Oct 13, 2013
    8
    Paramore might have lost some of their "Paramonsters" during the Farro brothers' controversial split from the Tennessian band and through their transition out of their wishy-washy pop-punk sound. But let's be honest, this has simply strengthened the band's mainstream success as well as their overall personality and sound. Although the self-titled album may not always be as honest as itParamore might have lost some of their "Paramonsters" during the Farro brothers' controversial split from the Tennessian band and through their transition out of their wishy-washy pop-punk sound. But let's be honest, this has simply strengthened the band's mainstream success as well as their overall personality and sound. Although the self-titled album may not always be as honest as it implies itself to be, it's never short of bold, broadening their sound into territories such as R&B, funk, Motown, and folk, which should earn the band an all new respect from the hipsters in the music. And yet their initial sound is still easy to find and the charm never dies. Hayley Williams' vocals are some of the finest in the industry and the album could very well be considered her own solo debut album. Although lead single "Now" musically lacks the charisma the rest of the album glorifies, it's still an awesome introduction. "Grow Up" and "Ain't It Fun" are obviously an opposition to the Farro brothers' controversial statements on how "manufactured" the band and Williams are, and it comes out more successful than one would think. While 60s inspired songs "Hate to See Your Heart Break" and "One of Those (Crazy Girls)" are warm to the ears, "Still into You" was specifically tailored for top 40 radio and yet it still sounds so fun and natural (the way pop should be). So in general, it may not cling to longtime lovers of their more genuine yet formulaic punk-esque sound, most audiences should find it to be a mature yet charming and young entry into the band's promising career. Expand
  6. Oct 7, 2018
    9
    "Paramore" é um álbum diferente, isso é certo, mas é tão diverso e bem escrito. Há músicas muito boas dentro do álbum e músicas que agradam a uma grande parte dos ouvintes, uma vez que vários estilos musicais, como electro-pop, rock, country, funk, encontram-se nesta coleção.
  7. Jan 26, 2023
    10
    Hello, this is a default review because i'm forced to use 75 characters. I'll edit this review in the future talking about the game, don't worry ;)

    My final rate is: 10
  8. Oct 7, 2017
    9
    Maybe, The best album ever by Paramore, full of great tracks

    Top Tracks

    1-Still into you
    2-Ain't It Fun
    3-(One Of Those) Crazy Girls
    4-Be Alone
    5-Daydreaming
    6-Last Hope
    7-Proof
    8-Anklebiters
    9-Part II
    10-Future
  9. Apr 10, 2018
    7
    There are a few tracks that are definitely worth checking out like Grow Up, Hate to See Your Heart Break and Proof and you'll probably find a few other enjoyable tracks but most of the other songs aren't too interesting. A lot of them are either pointless interludes, uninteresting filler and/or forced and insincere songs about being happy, having fun and moving on. Weakest tracks includeThere are a few tracks that are definitely worth checking out like Grow Up, Hate to See Your Heart Break and Proof and you'll probably find a few other enjoyable tracks but most of the other songs aren't too interesting. A lot of them are either pointless interludes, uninteresting filler and/or forced and insincere songs about being happy, having fun and moving on. Weakest tracks include all the interludes, Daydreaming, Be Alone and Future Expand
  10. May 4, 2015
    10
    Katy Perry bursts back onto the scene with her amazing second album that is full to the grim of the tongue-in-cheek atmosphere that got herkhkkjhjghjbnnnnn
  11. Jan 6, 2016
    9
    Paramore é um álbum maravilhoso. Muitos pensam que os Little Black Stars odeiam Paramore, mas não é meu caso. Instrumental maravilhosa, letras muito bem escritas e a voz impecável da Hayley deixa tudo mais especial.

    Pontos Altos: Now, Anklebiters, Fast In My Car
    Pontos Baixos: Future, Daydreamin, Moving On
  12. Apr 10, 2013
    10
    I think this album is outstanding Every band and artist changes. They music style isn't going to stay the same because of time change The stuff that they previously write was emo and punk. That stuff is hard to write. I love the new power pop, indie rock sound to their music. She still a good song writers I am not disappointed at all. I never been a huge fan of paramore. Halley musicI think this album is outstanding Every band and artist changes. They music style isn't going to stay the same because of time change The stuff that they previously write was emo and punk. That stuff is hard to write. I love the new power pop, indie rock sound to their music. She still a good song writers I am not disappointed at all. I never been a huge fan of paramore. Halley music and songs not going to sound the same because she's older and she doesn't think like she did two years ago anymore. She's not a teenager anymore. She's 24 years old and I knew that she wouldn't write the same type of songs for this album. I'm about the same age of Haley (one year younger) and three years ago I used to write emo songs and poems but in three years a lot can change. I think everybody how expect the old music should give this album a chance. It's not about you. Most of thier fans how grew up with them and about the same age might understand, but if became a paramore fan over the last five years then you might end up hating this album. I think they should cont. making indie rock music They might change back into that emo pink, depending on what happening in her life. Expand
  13. Mar 21, 2014
    10
    It may alienate some listeners because of its evolved sound, but trust me, this album is SOOOOO GOOD. Its diversity is sprawling-- sometimes polished, sometimes chaotic, but the overall feel of the album is heavenly. Their lyrics also evolved and sometimes improved, lesser whining but sometimes it also gets a bit off-putting since they sound too angry at times. But anyways, this is myIt may alienate some listeners because of its evolved sound, but trust me, this album is SOOOOO GOOD. Its diversity is sprawling-- sometimes polished, sometimes chaotic, but the overall feel of the album is heavenly. Their lyrics also evolved and sometimes improved, lesser whining but sometimes it also gets a bit off-putting since they sound too angry at times. But anyways, this is my favorite album by Paramore. Some may love it, some may dismiss it, but as what I read from another review: "If you're not having fun at some point in the album, then you're wrong." :) Expand
  14. May 13, 2013
    9
    It really surprised me with this album. When i hear "Now" notice a big change in the sound of them. I honestly never thought I would give the criticism "Universal acclaim" but it was the opposite, so I encourage you to hear this new work. The band has been reduced to three members, but Paramore has shown in this work that do not need a large group to show the world that, despite their badIt really surprised me with this album. When i hear "Now" notice a big change in the sound of them. I honestly never thought I would give the criticism "Universal acclaim" but it was the opposite, so I encourage you to hear this new work. The band has been reduced to three members, but Paramore has shown in this work that do not need a large group to show the world that, despite their bad times, they know how to get ahead.
    If you are a true fan of Paramore, obviously I love this job, but if you liked the old style of Paramore, then you will not find this work very good. But, so what? This is a new beginning that leads to a new look and, most importantly, a new sound, really knew innovate.

    As a new feature we highlight three interludes, all with the same indie-country sound we had never heard Paramore. In fact, it is a very popular type of music in Tennessee, the place where they come from.

    With this album, the Paramore are ready to begin a new chapter in their lives, which is why I consider a good job, not all age groups are willing to take these risks getting, well, good reception.
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  15. Apr 15, 2014
    10
    I cannot believe people criticize this album for it being "pop". As a person who had listened to different generations of pop, no. This is not pop music. I mean, the only pop song I can see is Still Into You! It's like when Arcade Fire gets bashed for doing "new stuff" in Reflektor. Anyhow, this is definitely one of the best albums I have heard this year. Not the best. But most certainlyI cannot believe people criticize this album for it being "pop". As a person who had listened to different generations of pop, no. This is not pop music. I mean, the only pop song I can see is Still Into You! It's like when Arcade Fire gets bashed for doing "new stuff" in Reflektor. Anyhow, this is definitely one of the best albums I have heard this year. Not the best. But most certainly one of the best. The flawless sequencing of the songs and the interludes that soften the mood for a while before the sudden return of pace. The immaculate voice of Hayley Williams, too. I honestly know nothing about this Farro brothers affair and how they broke up, but that doesn't matter. What matters is the music. Expand
  16. Aug 29, 2019
    8
    Delving more into pop than they’d ever gone, Paramore hit a real sweet spot of balancing rock and pop on their self-titled album. Lyrically less sad and angsty than any album that came before, most of the songs on this album are just pure fun. But there is the problem of being more than an hour long, and you do feel the minutes, especially towards the end. Honestly, if they trimmed downDelving more into pop than they’d ever gone, Paramore hit a real sweet spot of balancing rock and pop on their self-titled album. Lyrically less sad and angsty than any album that came before, most of the songs on this album are just pure fun. But there is the problem of being more than an hour long, and you do feel the minutes, especially towards the end. Honestly, if they trimmed down some stuff, this might be on par with its predecessor.
    Favourites: Part II, Fast In My Car, Anklebiters
    Least Favourites: Hate to See Your Heart Break, Proof
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  17. Feb 18, 2014
    8
    Took a long time to enjoy the album, but I got there. Hayley Williams' voice is beyond perfect. The album is a masterpiece! The direction to moving to a more 'pop' genre was absolute genius. Amazing (although it took a while to grow on me).
  18. Apr 12, 2013
    10
    This is is their best release to date, in my opinion. It shows maturity, growth, and more feeling. Paramore is hear to stay, folks. It shows that they can do it without the Farros. It showcases Hayley's songwriting skills. It's a great album, worth picking up at the store or for downloading.
  19. Jun 15, 2015
    10
    Foxes é maravilhosa. Eu amo tudo o que ela faz, tudo bem feito, impecável. Coisa de artista de verdade, é uma pena ver que não tem o reconhecimento merecido.
  20. May 28, 2013
    9
    Paramore without the Farro brothers to many, is not Paramore. But this self-titled effort is so good, that you forget they were even in the band. This is definitely their best album. Experimenting with new wave, indietronica synths, power pop sounds, ukuleles, alternative country music, and soul singing styles and gospel choirs, Paramore seems like a self-discovery effort. They truly showParamore without the Farro brothers to many, is not Paramore. But this self-titled effort is so good, that you forget they were even in the band. This is definitely their best album. Experimenting with new wave, indietronica synths, power pop sounds, ukuleles, alternative country music, and soul singing styles and gospel choirs, Paramore seems like a self-discovery effort. They truly show how much they've grown and how much the Farro's departure has affected them, but that they've moved on and it's all fine. Starting with Fast In My Car, a rebellious, anxious piece of punky power pop with a fun use of new wave sounds, it's one of the most adventerous tracks. Now has a much more alternative rock, almost hardcore feel with some of te best vocals by Hayley Williams, a spunky, soulful singer with an amazing voice, which shows extensive range. Grow Up is a track with a Caribbean beat and some No Doubt inspired ska rock rhythms and drums, all topped with some new wave, indietronic synths. Perhaps, the most adventurous track is Ain't It Fun, the obvious highlight of the album. That soul in Hayley's voice, the funk rock feel, the sarcasm in its lyrics, the larger-than-life gospel choir, all of that makes Ain't It Fun an instant classic. Part II is another noteworthy track which has great lyrics and resembles some of the band's previous work. Daydreaming is an amazing song that could have also been used for an album opener with its dream pop sound and alt-rock surroundings. Still Into You, another obvious highlight, is Paramore's most blatant, straightforward pop song of their career. Hayley's voice is demanding and effective. She truly makes you feel like she really is into you. On Proof, Hayley sounds tough and like all the proof she really does need is her squeeze. On Hate To See Your Heart Break, a country-esque ballad, Hayley is sweet and vulnerable. (One Of Those) Crazy Girls is a track recalling the most recent alternative country stylings of Best Coast, channeling Taylor Swift for lovelorn, crazy-in-love lyrics. It's an impressive feat. Anklebiters is a track that poses as a marriage of Paramore's older punk sound and their newer, power pop arrangements. A fan favorite, for sure. The interludes offer some diversity to the already vast sounds on Paramore, with the simple use of a ukulele and Hayley's crooning vocal. In all, Paramore is a success story. An album heavily inspired by the departure of the Farros, but also an album of self-discovery and experimentation. Fans looking for the classic Paramore sound will be disappointed, but the open-minded ones who welcome new sounds and don't throw fits at every little sound out of the Paramore norm are the ones who count. Paramore is one of the best albums of the year and a monster achievement for the band.
    HIGHLIGHTS: Ain't It Fun, Still Into You, Grow Up, Daydreaming, Fast In My Car, (One Of Those) Crazy Girls, Part II, Proof
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  21. Apr 11, 2013
    8
    Paramore has found a new sincere fan now. I gave this album a serious listen (I've heard all of their previous songs) and this record is just pure awesomeness. They have evolved, they have adapted a new style and a rather new sound which doesn't disappoint you at all because it has all the elements of their previous style. The best thing about this album is that some of the songs areParamore has found a new sincere fan now. I gave this album a serious listen (I've heard all of their previous songs) and this record is just pure awesomeness. They have evolved, they have adapted a new style and a rather new sound which doesn't disappoint you at all because it has all the elements of their previous style. The best thing about this album is that some of the songs are really catchy and the band has focused on both lyrics and music which is rare these days. Hayley's ever mesmerizing and powerful vocals are too brilliant in this one and she sounds sweet at the same time. I was worrying whether they would be able to make good music after the departure of Josh and Zac Farro but they have proved that Paramore, as a band, would remain as much cool as it always was. Expand
  22. Apr 10, 2013
    10
    Some of the criticism fans have been laying against this album is just ridiculous. If anything, Paramore has blossomed musically with this album, which is easily their best. The sound is so diverse, there's more than just guitars and electronica: there's ukeleles, string sections, harmonicas and even a gospel choir. If that's not ambition I don't know what is. Maybe it's their lyrics,Some of the criticism fans have been laying against this album is just ridiculous. If anything, Paramore has blossomed musically with this album, which is easily their best. The sound is so diverse, there's more than just guitars and electronica: there's ukeleles, string sections, harmonicas and even a gospel choir. If that's not ambition I don't know what is. Maybe it's their lyrics, there's many songs that reflect on their troubles with Farros but they're also declaring that they're moving on and willing to try new things. Highlights include Part II, Still into You, Ain't It Fun and Future. After all the drama Paramore's faced over the last three years, they've come out the other side as a multi-dimensional band who's willing to push their own limits, marking their greatest artistic statement. Expand
  23. Jul 21, 2014
    9
    Na minha opinião melhor álbum do Paramore, com músicas geniais, batida perfeitas, tudo pra ser um CD icônico, eles melhoraram muito ao longo do tempo, até chegar a esse som maduro e muito bom.
  24. Dec 10, 2013
    10
    Realistically I would only give this album an 8 but there have been too many people giving it ridiculously low scores.I never much cared for Paramore in the past and really only listened to this because they were playing a festival.There's a lot of good stuff on this album,some stand out cuts and because it's 64 minutes long a little filler but overall a totally solid effort.I like theirRealistically I would only give this album an 8 but there have been too many people giving it ridiculously low scores.I never much cared for Paramore in the past and really only listened to this because they were playing a festival.There's a lot of good stuff on this album,some stand out cuts and because it's 64 minutes long a little filler but overall a totally solid effort.I like their experimentation,the fact that the songs are diverse,I also like the fact than when it's time to rock hard, rock hard they do.
    I believe the professional critical response is correct.For the most part they are not weighing in on what Paramore should sound like but what Paramore has become.If one wishes they had remade their previous albums, get over it, they've left the past behind.
    As for the Farro brothers, if they were the prime movers behind Paramore, what are they doing now? They haven't released anything, there is no talk of them releasing anything.I, for one, am very curious if they will ever release anything and if it will be worth releasing.If they're the geniuses, now that they've shucked Hayley,Jeremy and Taylor (those no talent anchors, weighing them down) whatever they release should be a masterwork, right? Maybe We'll find out maybe We won't.
    And as mentioned earlier I saw Paramore at the festival and then I saw them 2 more times after that, still not crazy about the old stuff but the new songs were killer live particularly "Ain't It Fun"( the show stopper in My opinion), "Part II" and "Fast In My Car"
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  25. Oct 30, 2016
    8
    Paramore se superou neste álbum.
    Temos realmente o sucessor do primeiro disco da banda.
    Essa pegada alternativa me conquista mais e mais por causa deles.
    Last Hope com certeza é a dona desse disco.
  26. Oct 15, 2014
    10
    De fato, é um dos melhores (senão o melhor) álbums do paramore, nunca me surpreendi tanto com paramore em questão de revirada musical, paramore deixou seu lado "adolescente-rock" para virar uma banda alternative mais madura, o álbum é sensacional, destacamos "Now" como uma indireta (bem direta) á industria músical sobre a saída dos Farros e boatos que a banda tinha acabado, o retorno foiDe fato, é um dos melhores (senão o melhor) álbums do paramore, nunca me surpreendi tanto com paramore em questão de revirada musical, paramore deixou seu lado "adolescente-rock" para virar uma banda alternative mais madura, o álbum é sensacional, destacamos "Now" como uma indireta (bem direta) á industria músical sobre a saída dos Farros e boatos que a banda tinha acabado, o retorno foi impressionante. Expand
  27. Jun 9, 2013
    7
    Following the departure of the Farro brothers in late 2010, the rest of Paramore (lead singer Hayley Williams, guitarist Taylor York, and bassist Jeremy Davis) decided to continue the band. But would they retain their signature pop-punk style, given that the departed Farros (guitarist Josh Farro and drummer Zach Farro) had cofounded the band and helped define its sound? The Singles Club inFollowing the departure of the Farro brothers in late 2010, the rest of Paramore (lead singer Hayley Williams, guitarist Taylor York, and bassist Jeremy Davis) decided to continue the band. But would they retain their signature pop-punk style, given that the departed Farros (guitarist Josh Farro and drummer Zach Farro) had cofounded the band and helped define its sound? The Singles Club in 2011 indicated that they possibly would. However, their fourth studio album, the self-titled Paramore, displays a progression in the band's sound. It's a change that, while not perfect, is refreshing and diverse.

    A few songs, such as "Part II" and "Last Hope," are reminiscent of the band's older songs the former could easily have fit on All We Know Is Falling. The rest of the album is different, with new wave and electronic sounds incorporated into the songs. Lead single "Now" is more of a punk-driven track, and would be great if Williams' vocals on it didn't sound like a bad imitation of Gwen Stefani. "Still Into You," the follow-up single, is more of a pop rock song, but it's still a fun, enjoyable track. Other standouts include "Ain't It Fun," which features funk influences and a gospel choir; the aforementioned "Part II" and "Last Hope;" the Riot!-esque "Proof," and the closing track "Future." There are also a few short interlude tracks that I felt were unnecessary and out of place. The drum work on the album is pretty good, thanks to Ilan Rubin (of Nine Inch Nails and Angels & Airwaves fame) filling in behind the kit.

    Overall, the album is a solid work, albeit a little disjointed and sometimes too poppy. It reminded me of Blink-182's self-titled album, which also featured a progression in the band's sound and greater musical diversity. For better or worse, Paramore are moving on.
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  28. Apr 9, 2013
    10
    I have been waiting so long for this album and boy an i not disappointing. Paramore is back and better then ever. My standout tracks are: Still Into You, Part II and Future.
  29. Jul 15, 2021
    10
    Their best album ever without a doubt, Hayley's tone sounds beautiful, the songs are so different from each other in terms of songwriting topic but still remain with a similar production that makes the album flow and it's just so easy to get into it. Each song is exciting, fun, energetic, powerful!
  30. Apr 11, 2013
    10
    Overall, its hard to say anything cumulatively negative about the album. Its not perfect no, but its pretty darn close. The lows here would be a highlight on most albums any day of the week. Paramore has shown tremendous growth with each album, from kids on Falling, to teens on Riot!, to young adults on Brand New Eyes, and finally to adults on Paramore. Its amazing to see that from goodOverall, its hard to say anything cumulatively negative about the album. Its not perfect no, but its pretty darn close. The lows here would be a highlight on most albums any day of the week. Paramore has shown tremendous growth with each album, from kids on Falling, to teens on Riot!, to young adults on Brand New Eyes, and finally to adults on Paramore. Its amazing to see that from good albums, they make great ones. Buy this album, and the rest of their discography. The next one will be perfect, I can almost guarantee it. Expand
Metascore
81

Universal acclaim - based on 20 Critic Reviews

Critic score distribution:
  1. Positive: 15 out of 20
  2. Negative: 2 out of 20
  1. Classic Rock Magazine
    Jun 21, 2013
    30
    A parade of beige pop numbers that even Taylor Swift would turn down for being too generic. [May 2013, p.86]
  2. May 3, 2013
    80
    Paramore is both the band’s most polished and messiest album, which somehow pays off.
  3. Kerrang!
    Apr 30, 2013
    80
    It's daring and rarely less than dazzling. [6 Apr 2013, p.52]