- Critic score
- Publication
- By date
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Pay The Devil is at the crossroads of country, blues and soul. In his voice is the authority to bring them together.
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UncutIt would be fanciful, not to mention disrespectful, to say that Morrison has waited his whole career to make this album. But he makes it sound like he has. [Apr 2006, p.96]
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MojoHis own three songs blend in nicely. [Apr 2006, p.90]
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He sounds enlivened, even happy, nestling among the steel guitar and bottomless suffering.
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Paste MagazineA rough, intriguing fit. [Apr/May 2006, p.101]
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Entertainment WeeklyMorrison is a natural at sounding like a disconsolate guy unloading on a bartender. [10 Mar 2006, p.63]
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BlenderMost of the time he makes the profound sadness seem like the best party in either Nashville or Dublin. [Apr 2006, p.116]
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BillboardBrilliance shines throughout. [11 Mar 2006]
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At the end of the day, it's really hard to screw up these songs with that voice--try as he might.
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Pay the Devil reiterates Morrison's own musical diversity and flair for making any song his own.
User score distribution:
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Positive: 8 out of 13
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Mixed: 2 out of 13
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Negative: 3 out of 13
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RobbBSep 2, 2006
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LutendoTAug 22, 2006
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VinTJun 4, 2006