1. Wall of Sound

   83

   Working from a crate stuffed with quality cuts that blur the lines between trance, techno, and tribal house, Oakenfold deliberately showcases selections that err on the melancholy or contemplative side... Contrasted against the sometimes formulaic feel of Oakenfold's other comps, this is a stellar reminder of why he's remained a superstar for so long in a genre that's notorious for its short attention span.

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2. Rolling Stone

   70

   With unexpected juxtapositions learned from hip-hop and a sense of spiritual release gleaned from underground disco, Oakenfold steers the ultra-European, classical-minded pulse of trance toward syncopated rhythms, drum-free interludes and actual songs.

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3. CDNow

   60

   Throughout the mix, Oakenfold follows the proven formula of prefacing more beat-heavy, climactic tracks -- such as Max Graham's "Airtight" and Tone Depth's "Majestic" -- with otherworldly vocals-only tracks by Dead Can Dance and Sabel, among others. The build-up is no doubt effective on the dance floor -- where Oakenfold excels -- but the effect sounds a bit repetitive after the first few occurrences.

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4. All Music Guide

   50

   Except for these stylistic detours (two tracks from Blade Runner, with one each from Dead Can Dance and the group's vocalist Lisa Gerrard), Another World is the same old trance album. There are a few intriguing anthems that manage to wear out their welcome over the course of seven minutes and up, plenty of breakdowns to maintain attention on the dancefloor, and an overall pleasant sound that simply floats by without making much of a positive impact.

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