- Critic score
- Publication
- By date
-
This time out, Moby manages to establish himself not only as a talented multi-instrumentalist and genre-jumper, but as someone who can write interesting songs in a variety of genres -- a point he's missed in the past.
-
But though the blues and gospel and more gospel testify not just for song but for body and spirit, they wouldn't shout anywhere near as loud and clear without the mastermind's ministrations--his grooves, his pacing, his textures, his harmonies, sometimes his tunes...
-
Play's inventiveness will restore his reputation as a puck-like, maverick talent.
-
Moby shows himself back in the groove after a long hiatus, balancing his sublime early sound with the breakbeat techno evolution of the '90s.
-
The most consistently lovely album of his career.
-
It's a well-thought-out, catchy, and complex body-rocker of a record from beginning to end, with only one or two minor missteps.
-
In ploughing a unique furrow in pop music, he demands your enjoyment as much as your respect.
-
In short, it's fun and functional, yet disposable.
-
Unfortunately, the last third of the CD isn’t nearly as good as the first two-thirds.
-
What could've been a condescending gimmick yields some of the year's most haunting, and haunted, music.
-
Play is a modest, charming little record built on a few simple ideas, and a winner on its own low-key terms: Moby has made the first electronic blues album.
-
Unlike so many other cut-and-paste experiments, this actually sounds like music and not a clever science project.
-
The ebb and flow of eighteen concise, contrasting cuts writes a story about Moby's beautifully conflicted interior world while giving the outside planet beats and tunes on which to groove.
-
A perfect blend of sacred and secular--exactly what Moby's been looking for all along.
-
Although it may appear frantic, Play is an eclectic and coherent work where Moby accesses an array of sounds from his milieu of influences.
-
At the risk of once again alienating fans--as well as purists who may consider this treading on sacred ground--Moby has taken another set of disparate influences and "translated" them into a futuristic language that's all his own.
-
It's a fun, varied excursion.
-
His most accessible, mature work to date.
-
On his cunningly crafted CD, the restless techno composer cleverly constructs a bridge between electronic dance music and the black Southern styles that form the basis of most American rock and pop.
-
Much of Play sounds like it was beamed directly from planet Sad Guy, but it's far and away Moby's most cohesive and affecting work to date.
Awards & Rankings
User score distribution:
-
Positive: 123 out of 134
-
Mixed: 1 out of 134
-
Negative: 10 out of 134
-
Feb 5, 2013
-
Feb 28, 2012
-
Aug 9, 2018