• Record Label: Reprise
  • Release Date: Oct 18, 2005
Metascore
78

Generally favorable reviews - based on 22 Critic Reviews

Critic score distribution:
  1. Positive: 19 out of 22
  2. Negative: 0 out of 22
  1. The formula remains largely the same, although the group adds some production tricks, dialing down the perv factor and turning up some extra chirps and bloops they haven't used before.
  2. New Musical Express (NME)
    50
    Far from bad... but so much of it sounds like a museum piece, the glum-pop self-harmings of another time. [12 Nov 2005, p.45]
  3. Blender
    40
    The second half drops off badly--the band seem to think that the tonic for a weak lyric is to slow the tempo to a crawl. [Nov 2005, p.130]
User Score
8.7

Universal acclaim- based on 246 Ratings

User score distribution:
  1. Negative: 11 out of 246
  1. Feb 9, 2013
    10
    With hindsight being 20-20, and this review being written 7-1/2 years after the released of this album, I can write, without any hesitation,With hindsight being 20-20, and this review being written 7-1/2 years after the released of this album, I can write, without any hesitation, that Playing the Angel is my favorite Depeche Mode album and that is saying a lot because I am a completely devoted fan of the band since I first heard them in 1986. Playing the Angel is a different kind of Depeche Mode album and it would be unfair to try and compare it with any other album, except maybe Violator. This album is so good that it has been the staple of my musical diet since the day it was released. What sets this album apart from all others are two secret ingredients never before present in a Depeche Mode album. First is a unique and permeating throbbing that flows from song to song and ties them all together, and secondly David Gahan contributed songs to the album, and not just any songs, a couple of fantastic songs. Individually, nearly every song is excellent beginning with the explosive opening of A 'Pain That I'm Used To' right down to the last note of the last song 'Darkest Star'. This album is far greater though than the sum of its individually outstanding parts, and that is what sets this album apart. 'Suffer Well' is my personal favorite, and this song has replaced 'In Your Room' from 'Songs of Faith and Devotion' as my all-time favorite Depeche Mode song. I find it very ironic that 'Suffer Well' (written by David Gahan) has become my favorite DM song of all time because it is the first song written by anybody but Martin Gore in 25 years, and I have long considered Martin Gore to be among the greatest songwriters of all time. This album excels on all levels and there are six standout tracks that help give this album an unparalleled timelessness and longevity: John the Revelator, Suffer Well, Sinner in Me, Precious, Nothing's Impossible, and Darkest Star. Full Review »
  2. Mar 25, 2023
    7
    Best hits here are Precious, Suffer Well, John the Relevator and A Pain that I'm used to. Very good album. 7.5/10
  3. May 14, 2021
    10
    Ironic how this is an album I favour the most out of professional Depeche Mode groups works and yet for hundreds of the generic fans who claimIronic how this is an album I favour the most out of professional Depeche Mode groups works and yet for hundreds of the generic fans who claim to be "devoted", this was the last straw. If anything, this is the stylistic revival for the analog mishap that was Exciter, that was also a non-functioning mess of a production and quite possibly the hardest, most obnoxious album of theirs to just casually sit through out of all of them, future ones included. I have been a fan since my introduction to them at the time I was born in early 2004; if I was born in the 20th century, I'd STILL claim this to be one of the better albums of theirs rather than the worse and STILL wouldn't immediately refer back to Violator as the best as though they're not even remotely comparable in terms of, basically anything worth comparing them to. The likes of 'Nothing's Impossible' doesn't match Violator's tracks, nor does 'Precious', the most popular track on this album in particular, and the same people choosing Violator over Playing the Angel are the same people who claim 'Precious' to be up at the top in terms of general tracks. However, contrary to the general consensus, 'Precious' is the more generic tracks on there, not only because it's popular, but because it sounds much more stereotypical than any of the other tracks and even the album's B-sides and repeats the same phrases over and over again without any difference. Even the piano leitmotif of that song is used for both the beginning and end with no significant difference, and the only other track on here that does anything similar to that is 'Suffer Well' with the guitar leitmotif written by Dave and performed by Martin.

    This album is its own thing, even the members themselves claim that by noting that it was produced by someone who has never heard of Depeche Mode, so there isn't a sign of the band's traditional pop sounds and sample works (of which meant that, prior to advanced technology, they used samples of things that weren't created primarily by them before transitioning to fully unique sounds, sampling being some people APPARENTLY like more). Comparing them is the biggest, most naïve action to make to reach a conclusion on the overall quality of Playing the Angel.
    Full Review »