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While Jones' confidence as an MC has grown, his talent still lies more with songs of the streets than with songs of the sheets.
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These songs are still full of crude misogyny and tired concepts. Give Jones points for honing his craft, but he's got a long way to go.
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His work is still glaringly standard, all puffed-up machismo and stock sexual banter.
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With the exception of the exuberant 'Pop Champagne,' which was a Ron Brownz single before Jones hopped on it, Reign is a washout.
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Nothing sticks. The only times you’ll be tempted to rewind is when Jones says something stupid, which is often.