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The final part finds a midpoint of sorts between the two, with quick, skittering drumming matched by a series of drone and keyboard loops, rhythmic but not explicitly melodic, ending the album on a calmer but no less compelling note and promising quite a lot for the next two entries in the series.
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Preteen Weaponry’s psychedelic rout may be far from their finest hour, but it serves to remind all that these jesters should belong as part of the furniture.
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Oneida’s chemistry alone isn’t enough to make modest material effloresce.