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Overall, it's a palatable mix of retro-leaning metal that's suitable for headbanging or playing air-guitar but doesn't cover much new ground.
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Their combination of crunching riffs, hard-driving rhythms, and howling vocals isn't exactly unique, but their spin on the sound, which adds some touches of classic, early-'80s pre-glam metal to the usual blend of Deep Purple, Black Sabbath, et. al, has a lot of appeal.
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Alternative PressThe riff-roaring arena anthems "Racon Eyes" and "The Firebird" are among the most infectious tracks Priestess have ever written. Elsewhere, the band's retro-fuzz machinations don't fare so well. [Mar 2010, p.98]
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The album has no grand arc; it's just a collection of pretty okay jams for people who already own everything Pentagram ever recorded. It's fine, but it's nothing more than fine.
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On the new record, much to our surprise, the majority of the vocal lines sound half-baked at best, and with the odd exception, not for a second memorable.
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While the definable hooks are definitely more present than on most metal records, that doesn't necessarily make a better, or even more accessible album.
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Q MagazineMontreal's Preistess are more holy smokers than divers, to the point where this engrossing second album recalls the potent psych-rock of the early-'90s-era. [Apr 2010, p.106]
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RevolverIt's melodic and Malevolent, a relentlessly good disc with an A.D.D. sufferer's list of pop-cultural obsessions ranging from Robocop to werewolves to Judas Priest. [May/Jun 2010, p.100]
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Prior To The Fire will set the Canadians aside from their peers.
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After 2006's acclaimed debut, Hello Master, this Montreal metal foursome had to cut through a mass of red tape before Fire, their long-gestating follow-up, could get a U.S. release date. Someone should be fired for the delay, because this baby burns.
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Long on tweedly solos, rambling structures, and songs about being trapped in space and time, Prior to the Fire--love the title, dudes, despite my disappointment--is sure to satisfy hardcore stoner-metal devotees with no fear of the occasional eight-minute track length. Everybody else should seek out "Hello Master."
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On its sophomore album, Priestess pulls no punches and delivers all blows in menacing fashion, borrowing heavily from the gods of metal's yesteryear.