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Although it dodges near-perfection almost deliberately, it confirms that Gelb’s maverick creativity has an astute methodology in its benevolent madness.
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Drowned In Sound
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FilterThose of us disenchanted by genre specificity may give up on proVISIONS upon the line, "It was there in Galveston," and its accompanying played-out, imitive Western guitar line. [Fall 2008, p.97]
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ProVISIONS tells a less reassuring truth than "’Sno Angel Like You," but one that’s just as true; you just never know.
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MojoThe cover of P.J. Harvey's 'The Desperate Kingdon Of Love' encapsulates the album--restful, intoxicating, sounding gorgeous. [Oct 2008, p.102]
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Often hushed and challenging, his greatest device remains the tactical use of open space, delineated sharply by skeletal guitars and the loose insinuation of movement.
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proVISIONS is no exception, its array of peyote rock, twilight ballads, space cowboy soundtracks, and spooky sidetracks off the beaten path on par with the band's best work.
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An album that’s never dull, music that’s full of melodrama and humanity, a personality in Gelb that’s big enough yet genuine enough to pull it all together.
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An assortment of contributors both adds to the tension (Neko Case sings on the echoing 'Without A Word') and detracts from it (M. Ward only makes the trucker tune 'Can Do' even more of a non-fit on the record), but proVISIONS is an older Gelb at his gloomiest.
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Though proVISIONS offers some playfully charming moments, ('Can Do,' 'Out There,' 'Increment of Love'), the dark center of this album’s middle is telling.
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Now, at 52, Gelb’s music seems to have found a renewed vigour, a sharper focus. ProVISIONS not only has some lean 'n' lovely boy-girl ballads, wild mood swings and a frequent groove, but also a sense of intent.
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Under The RadarHis albums never fail to provide something immediately familiar, yet stubbornly unpredictable. Once again, Gelb lassoes you into his arid surrealist landscape, and you're left checking for dirt under your fingernails. [Fall 2008, p.81]