Metascore
67

Generally favorable reviews - based on 17 Critic Reviews

Critic score distribution:
  1. Positive: 9 out of 17
  2. Negative: 1 out of 17
  1. While the covers of Nilsson's originals ("Don't Forget Me," "Black Sails") are still mostly sad-eyed, plodding downers, the covers of the covers take off.
  2. Do they embarrass themselves? Not in the least. But they do raise the question of why this album even needs to be heard outside the band themselves, and why it should be in stores.
  3. There is a little bit of something here, but a whole lot of nothing.
  4. The Walkmen’s version is difficult to recommend to anyone unfamiliar with Nilsson and Lennon’s album.
  5. Sure, they love the album and want more people to know about it: admirable. But c’mon, why not just get rip-roarin’ drunk, bring in a bunch of friends, and make a legendary album of their own.
  6. The original Pussy Cats may not be classic enough to be untouchable, but Nilsson was enough of an oddball original, and the album carries so much back story, that a remake of it just ends up being a "why bother" moment.
  7. To their credit, they do sound genuinely drunk.
User Score
7.9

Generally favorable reviews- based on 7 Ratings

User score distribution:
  1. Positive: 7 out of 7
  2. Mixed: 0 out of 7
  3. Negative: 0 out of 7
  1. Nov 15, 2022
    8
    This review contains spoilers, click full review link to view. I loved the original so much. This is a great tribute. The vocals actually sound a bit like Joe Henry, also a very good thing! Full Review »
  2. erike
    Oct 30, 2006
    8
    the critics are morons as usual. if you like the walkmen, you will like this album. and no, it doesn't matter if you are familiar with the critics are morons as usual. if you like the walkmen, you will like this album. and no, it doesn't matter if you are familiar with nillson's original version. don't let the critics fool you. enjoy. Full Review »
  3. TomM
    Oct 27, 2006
    9
    The critics are missing the point here, entirely. This is a perfect cover of a really strange album. But what is there to knock, really? The critics are missing the point here, entirely. This is a perfect cover of a really strange album. But what is there to knock, really? Leithauser has never sounded better/more in control of his unique voice, and it's suited well to this material. And to score the album a 50 just because it's incredibly out-there to even be covering a cult album like this...that just doesn't make sense. These guys took an album they loved, and here's their tribute, and it sounds great. Maybe I missed something somewhere along the line -- but isn't that enough to merit a decent review? Full Review »