Metascore
78

Generally favorable reviews - based on 24 Critic Reviews

Critic score distribution:
  1. Positive: 19 out of 24
  2. Negative: 0 out of 24
  1. It's a moody, atmospheric listen that never gets quite as melancholy as it suggests and holds together better than any Rilo Kiley album to date.
  2. Using acoustic country gospel to explore the doubt-ridden downside of faith and her weakness to "my own destructive appetites," Lewis enlists Nashville twins Chandra and Leigh Watson to soften her sharp words with sparkling harmonies.
  3. Billboard
    70
    She is grappling with issues of faith, but she is charmingly skeptical. [28 Jan 2006]
  4. Blender
    80
    The record has the relationship to "genuine" roots music that its titular ratty heirloom implies--it's a perfect fake, dyed to match the sensibility of a skeptic who won't give up. [Mar 2006, p.108]
  5. Rabbit Fur Coat is an album of easy strumming and likeable melodies, a PG distillation of vintage country influences and the Watson Twin’s spot-on gospel harmonies.
  6. 100
    It's [Lewis'] powerful voice and compelling storytelling... that makes the songs of busted relationships and failed faith really sting.
  7. Entertainment Weekly
    91
    Consider Lewis the Emmylou Harris of the Silverlake set. [3 Feb 2006, p.70]
  8. You know it's special from the first bars.
  9. She benefits from solid production by Saddle Creek staple Mike Mogis, who tweaks her retro sound with synths and electronic blips, but it's the stark M. Ward-produced tracks that, while more traditional, showcase the Dolly Parton potential in Lewis's voice.
  10. On repeated listens, the songwriting makes the album lukewarm.
  11. Q Magazine
    80
    The real stars... are Lewis's songs. [Feb 2006, p.103]
  12. Rolling Stone
    70
    Her girlishly seductive vocals are more versatile than ever. [9 Feb 2006, p.62]
  13. A left-of-center delight that will tide over the Rilo Kiley faithful until their next album.
  14. An album of rich country, folk, and gospel music.
  15. Lewis draws from country and pop to build indelible songs around some capital "T" themes.
  16. Uncut
    100
    A dozen remarkable tracks. [Feb 2006, p.78]
  17. Under The Radar
    80
    A folksy, crooning, homespun collection of intimate, honest, and bittersweet songs that actually doesn't sound like the Rilo Kiley canon. [#12, p.92]
  18. Though the singer-with-backup music relies on formula that won't set anyone's life straight, her melodic chops--sweet as a writer, supple as a singer--put the songs across.
User Score
7.5

Generally favorable reviews- based on 58 Ratings

User score distribution:
  1. Positive: 43 out of 58
  2. Negative: 7 out of 58
  1. Feb 2, 2012
    7
    It's a bit left of the middle, but there is no getting away from the fact that this is a folky record. It takes happy go lucky story tellingIt's a bit left of the middle, but there is no getting away from the fact that this is a folky record. It takes happy go lucky story telling folk and turns it on it's side. Conor Oberst collaborates on the cover of Handle With Care, and Jenny Lewis comes from a similar school of song writing. If you like him, you'll like this record. It's no classic or must have, but it is worth a listen. Full Review »
  2. JeremyF
    Jun 24, 2007
    8
    Jenny Lewis is best known for her widely loved indie band Rilo Kiley. We all know her as a sweet voiced woman with extremely incredible Jenny Lewis is best known for her widely loved indie band Rilo Kiley. We all know her as a sweet voiced woman with extremely incredible writing talents. Her first solo departure is just that - a departure. She gathers up a few of her friends, including sweet country gals the Watson Twins, and sits herself in a minute country envelope. It's not quite country, it's still got her Lewis touch, an indie/alt-country, if you will. But it is countried up enough to be unlikeable. I hate country music. The only one, besides Lewis, that I enjoy is Neko Case, and she's alt-country as well. Lewis takes on multiple sad journeys but the lyrics are so compelling it's hard to dislike it. I like how God is mentioned a lot but each time it's kind of upsetting ("But what if God's not there? / But his name is on your dollar bill..." in The Charging Sky, or "He gives and takes... from me" in Born Secular.) I think this is a fine solo debut, with a few minimal falters. The best songs, Happy and It Wasn't Me, really stand out among the others, with their sad but I-can-feel-that lyrics. Another stand out is the title track with its "is it real or fake?" quality. I would much rather listen to Rilo Kiley, but this is a fine fine album and I think she is a beautiful musician with no reason to slow down any time soon. Magnificent woman, Lewis is. Full Review »
  3. ChrisF
    Feb 27, 2007
    9
    Really good, yes not happy songs but there's enough plastic ,smiley make beleive out there.