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There have been dark records by Chicagoan Bill Callahan. There have been wilfully obscure ones too, but there has never been one as single-mindedly dour as this.
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While it isn't his best work, Rain on Lens shows that Callahan is proving to be frustratingly hard to pin down, but capable of unleasing brilliance at any given time. [Nov 2001, p.94]
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70Dour, sub-Velvets melodies and droll, haiku-like lyrics tinged with desperation. [Sep 2001, p.110]